Showing posts with label Performances. Show all posts
Showing posts with label Performances. Show all posts

Thursday, 22 March 2018

"What is line?" FAVOURITE PERFORMANCES OF 2017

Since all this is being published after the Oscars, we know who all were the "best" performers of this year were *cough* Gary Oldman shouldn't have won *cough*. Well, my list is a bit different. I actually started making these lists because of how much I loved my #1 performance and HAD to write about it somewhere. So without much further rambling introductions, here are my top 20 performances of 2017:



20.
 Ryan Gosling in Blade Runner 2049

As wonderful as the Gos is at comedy, there's a reason he became known for his strong and silent characters. His K is a replicant who longs to be human, but he cannot show it apart from the most smallest and heartbreaking of gestures. Gosling does so much with so little.


19.
 Lesley Manville in Phantom Thread

The most delicious performance in this list. Again, it's a performance of control and how terrifying it can be when we see it slip ever so little. Also her line readings ARE AMAZEBALLS! Scary, but amazeballs.


18.
Catherine Keener in Get Out

I feel like Keener is Manville's character if she knew hypnosis, and was obviously a rabid racist. Has someone stirring tea ever been more frightening?


17.
Daniel Kaluuya in Get Out

It's one of the most iconic shots of this year, when tears are falling from Kaluuya's face as he sits paralyzed in horror. There's a reason for that. He lets you feel the dread, the utter helplessness. You cannot escape it. Other than that scene too, you can kind of see what he's thinking but still not really, which is an interesting tightrope that he walks on throughout the film, and I am so glad he's been rightfully rewarded for it.


16.
Rajkumar Rao in Trapped/Newton/Bareilly Ki Barfi

He's one of the best Indian actors of his generation and 2017 was a great year for him to showcase his immense potential. Each role couldn't be more different than the other. In Trapped, he is a man battling for survival, both physically and mentally. In Bareilly, he plays the scared pushover and the over-the-top extrovert equally well. In Newton, he is someone who has to witness the complete break of a system and figure out how to be someone who can still be moral in an amoral world. Rao does all of these roles justice and then some.


15.
 Jennifer Lawrence in mother!

For most of the film, I kept waiting for "mother" to turn into the JLaw we all know now- headstrong, vulgar, bold, loud. But she is none of that. Lawrence's personality is so big that we sometimes forget that she's a pretty fantastic actress and mother! is testament to that. The film is focused on her face because she is the eyes of the audience to the madness that is her life. We have to be connected to her emotionally for the movie's outlandishness to make any sense. Lawrence shows exactly such vulnerability. I don't understand the backlash against her at all. Sure, the film is divisive as fuck but Lawrence has given a complete against-type, open and intimate performance that should be lauded by all.


14.
 Meryl Streep in The Post

Let me just say off the bat, this is a very very good performance. But I think one of the reasons why it is so high up is because of the character too and how Streep embodies it. I connected to the character completely, and the arc she goes through and the way Streep portrays it, it really moved me. This is one of my most personal picks, if that makes sense.


13.
Harry Dickinson in Beach Rats

The first of my "WHERE DID THEY FIND HIM/HER?!!" picks. He is so good in this film playing a teenager exploring his sexuality in a world where something like that still isn't easy. Even though his character doesn't speak much, there's an openness about Dickinson's face that I so love in actors. His eyes speak volumes and it's very compelling to watch.


12.
Saoirse Ronan in Lady Bird

Ronan is already kind of a legend at 23. Each of her THREE Oscar nominations couldn't have gone to more disparate characters. As Lady Bird, she is all confidence and confusion mixed in a perfectly imperfect concoction. I think all teenage me would have wanted is to be her but (relatively sorta) grown up me sees and appreciates the complexity in the character and how deftly Ronan brings that out.


11.
 Barry Keoghan in The Killing of A Sacred Deer

He's so creepy and unnerving in this. I mean, who can forget that spaghetti scene? Lanthimos has a way with weirdo characters and Keoghan plays one of the most unforgettable ones. Just thinking about him gives me the heebie-jeebies and if that's not an impactful performance, I don't know what is.


10.
 Sally Hawkins in The Shape of Water

When I think about Hawkins in this movie, the first thing I think about the scene when she tells Richard Jenkins's character about how the creature completes her and how much that made me cry. Hawkins is such a luminous presence. I'm always excited to see her in a film and she was such a perfect choice for this character because of how well she expresses joy and sorrow and everything in between even without words.


9.
 Hugh Jackman in Logan

Jackman has played Logan/Wolverine for 17 years. You would think one would have seen all that is to offer with this one character but he saved the best for last. There is of course tragedy in the story of Wolverine but there's also the idea of him being invincible to match that. In Logan however, we don't have that safety net anymore and what we are presented with is a broken, dying man, who has lived through so much and probably watched everyone he's ever cared about die. We don't see this in the film but we see it in Jackman's performance. He is so heartbreaking yet ferocious in this. It's a crying shame that the performance didn't get the awards love it deserved but at least we can be happy knowing people will be talking about this more than some damn British guy made of makeup.


8.
Allison Williams in Get Out

Her true brilliance shines upon a rewatch. She is so eerily fantastic in this, dropping enough hints along the way but still managing to shock us with her true intentions. It's perfect casting that is elevated by an even more perfect performance.


7.
Margot Robbie in I, Tonya

This movie was so surprising but not Robbie's performance. Ever since the first trailer dropped, I knew this would be one of THE performances of the year. I have an affinity towards arguably terrible characters who are really passionate about something. It kind of made me think of Selina Meyer from Veep. Of course Robbie's Harding wasn't remotely as awful but the scenes that show her love of skating, they were really powerful and have stuck with me ever since.


6.
 James Franco in The Disaster Artist

Franco is just tremendous as Wiseau, the actor and the person. When he commits to a role, there are very few like him. His Wiseau is equal parts funny and poignant and kinda unforgettable.

 5.
Timothée Chalamet in Call Me By Your Name

He beat Franco purely based on that last scene. That scene broke me. My other favourite thing about this performance is how I know with every rewatch I'm going to like it more and more. Having read the book, I was on a lookout for certain things Chalamet's Elio does and while in the book his emotions are bursting out of him since we are completely privy to his thoughts, the movie version is more silent and secretive but still grappling with the same feelings and urges. I don't think I was able to see all of it and it still pretty much blew me away. Can't wait to fall in love with him falling in love all over again.


4.
 Chris Pine in Wonder Woman

I kinda need the clap emoji to make my point come across fully but Imma try anyway- CHRIS PINE'S LAST SCENE IN THE PLANE WAS SOME GOD LEVEL ACTING AND WE ARE ALL BLESSED TO HAVE WITNESSED IT! He was so funny and effortless in the movie and the look he gives at the end has been seared into my brain and more importantly my heart ever since. I'll write more about Wonder Woman in other posts but that film works because it makes you feel and Pine's Steve is the actual heart of the film.


3.
Vicky Krieps in Phantom Thread

She's the second of my "WHERE DID THEY FIND HIM/HER" choices. And I mean, where do you find an actress who not only meets Daniel Day-Lewis in a scene head on but out-acts him? What? Is she magic? Krieps is a force of fucking nature in this film. She starts out all shy and redfaced but from the moment she tells Day-Lewis's character that he would lose if he played the blinking game with her, you could sense she's not some wide-eyed ingenue. She drives the movie like her character who breaks the routine of the Woodcocks' lives with her determination and individuality. Again, I had a really good feeling about her because the last time Paul Thomas Anderson introduced an actress in his films, it was Katherine Waterston and lemme just say, he's on a helluva roll in this particular road.


2.
Laurie Metcalf in Lady Bird

Well, she sort of played all our moms, didn't she? It's a brilliant performance that is so specific that you find elements in it that you can relate to in your own experiences with your mother. I wrote above about how teenage me would've idolized Lady Bird if it had come out then but I am so glad it came out now because I can see the hurt and pain and love and sacrifice in her Marion which I wouldn't have understood at a younger age. I think the time in a teenager/young adult's life when they realize that their parents are normal people too, who also make mistakes and are trying to make the best of everything, is underrepresented in films and Lady Bird shows that so well and we wouldn't have the full impact of it without Metcalf's multifaceted and true-to-life portrayal.


1.
 Florence Pugh in Lady Macbeth

As I wrote in the intro, the only reason to make any of these lists was so that I can find a way of praising this performance. It is amazing. It actually reminds me of Amazing Amy but like more evil and human at the same time. Pugh's Katherine is all desire. She has to be cunning and cruel to get her desires fulfilled and we're just along for the ride. There's a reason the film is named upon one of the most infamous women in literature, who begged the powers to take away her kindness and fill her with poison... there's a reason she's often called the fourth witch. Funnily enough, watching it, I was reminded of a quote from the film The Witch which was "Wouldst thou like to live deliciously?" Pugh's Katherine does and she's willing to sacrifice everyone in her path for it. Everything that Pugh does in this film is so deliberate and natural at the same time. Her boredom, her lust, her anger, her jealousy, her cruelty- it is all a joy to behold. I can imagine people being disgusted by her but I was just fascinated by this little giant of a woman, who btw obviously also tops my "WHERE DID THEY FIND HIM/HER" picks. It is a brave and gutsy performance, one that takes hold of your brain and doesn't let go, which I suppose is appropriate given the character. She's not one to be forgotten. She simply wouldn't allow it.


So what were some of your favourite performances from 2017? Lemme know in the comments below. Also Next up we have EVERYTHING else I loved about 2017 movies!

Tuesday, 17 February 2015

“Do I look like a double fucking rainbow to you?!”- MY FAVOURITE PERFORMANCES OF 2014

         There were a ridiculous number of great performances in 2014. It has honestly broken my heart to leave some of them out of this list (especially looking at you, Rose Byrne and Antoine-Olivier Pilon). I do like how this list has more women than men proving yet again why I loved last year so much from a cinephile's point-of-view. So without further adieu, these are my 25-ish ('cuz there are actually 31- you'll see) favourite performances of 2014:



25.
Patricia Arquette in Boyhood
The number of times I had to remind myself that this is an actor acting and not a real person was insane. Though it is supposed to be Mason's story, I was most interested in what was happening to Arquette's character, partly because of the story and mostly because of her fantastically layered performance. 


24.
Felicity Jones in The Theory of Everything
I know Redmayne is probably walking away with the Oscar for his performance in this movie *shudders* but I honestly believe the only awards-worthy work was done in the film by Jones. She was the heart and strength of the film for me. Her work is very subtle yet completely heartbreaking.


23.
Jesse Eisenberg in The Double
Eisenberg is known to play the vulnerable nerd or the cocky asshole. In The Double, he plays both. However, it does not seem like he's relying only on his strengths because it is the moments of quiet desperation and simmering anger in between these two personas that constitute some of the best acting of last year and they are the reason why he's here on this list.


22.
Andy Serkis and Toby Kebbell in Dawn of the Planet of the Apes
I don't want to sound like a broken record by saying how good Serkis is because it's just a fact. This is arguably his best work. It's Kebbell who was more astonishing. He brought such terrifying viciousness to the character of Koba and almost outshined even a seasoned artist like Serkis through his performance.


21.
Stacy Martin in Nymphomaniac
I'm still trying to wrap my head around the fact that this was Martin's first film. She's not here only for her bravery but also for completely being this very unique woman, embodying her aloofness, her horror over losing her ability to feel pleasure, her pain over her father's condition, her dry humour and so on. Can't wait to see what else Martin does.


20.
Tilda Swinton in Snowpiercer
Apparently the role of Mason was meant to be played by a man. Needless to say, no man or woman could have done what Swinton did with the role. Taking inspiration from the likes of Margaret Thatcher and Adolf Hitler, Swinton flawlessly turns into this living, breathing political cartoon who is a riot every time she's on screen.


19.
Keira Knightley in Begin Again
Around the same time last year, when I saw Last Night for the podcast, I was first made aware of how good Knightley can be in modern roles. I always thought she's best suited for period films but it's the present day which brings a relaxed, confident air to her performances and I think her work in Begin Again is her best to date. From her singing to her effortless chemistry with everyone around her, she shines the most here.


18.
Anne Dorval in Mommy
There are just so many shades to Die. She's loud, angry, sexy, confused, vulnerable, bitter, loving, sad and the list goes on, and Dorval portrays all of these. It's a complicated role and a complicated performance. Much like the film, she is on the edge of being overly-dramatic but she never goes overboard and in fact makes Die someone painfully and beautifully human.


17.
Michael Keaton in Birdman
Keaton is someone I only associated with his Batman films and even in those, other actors outshone him completely. Therefore, I was very pleasantly surprised to see that he can do a role like this. The movie is basically in his character's head and a lot of it is totally nuts but Keaton makes it all believable. His frustration, his self-doubts, the pain caused by the various relationships he has, the madness and confusion of his inner and outer lives, the quieter moments of resignation and sadness- it's a truly fantastic performance and one I hope he wins an Oscar for.


16.
Gugu Mbatha-Raw in Beyond the Lights and Belle
God, where did she come from? She's awesome! And she couldn't have played two more different roles in one year, BOTH of which she was excellent at. On one hand, she was this Rihanna-esque rising music star battling with insecurity and on the other, she was a mixed-race 18th century English woman slowly gaining confidence and understanding of the world around her. I prefer the first a little bit more because it could have been such a one-note, predictable performance but instead Mbatha-Raw found such raw and genuinely emotional places to take it to. The same could be said of her performance in Belle as well. Truly, a revelation.


15.
James McAvoy in The Disappearance of Eleanor Rigby
He's been so overlooked in people's best performances list and I don't understand why. Chastain had the more showy role of the two and she delivers completely (more on that later) but, like fellow and similarly ignored Scotsman, Ewan McGregor, McAvoy here is the quieter yet stable counterpoint to her performance and he is just as heart-rendering, if not more, at the end.


14.
Julianne Moore in Maps to the Stars
I love her whole performance but it's really the scene in the toilet that made me put her here. How can someone be so absurd and normal at the same time? I dunno, ask Moore. She's done it before with Boogie Nights (one of the greatest performances of all time) and she did it again here. I am completely, 100% going to pretend it is her performance here that she's actually winning her Oscar for.


13.
Jessica Chastain in The Disappearance of Eleanor Rigby
I would have put her performance in A Most Violent Year here too but her complete work over the two Eleanor Rigby movies has totally wiped it off my mind. This is the best she's ever been. Like Die earlier, Chastain's Eleanor also goes through a gamut of emotions but she's so much harder to read. There is a resistance to show how she feels but the beautiful thing about Chastain's work here is that you can see that as well. Since the films are named after Eleanor, she's more or less the axis around which both the stories turn and Chastain is able to portray that. Of course, she is tremendous in Her but even in Him, where she is playing a colder, more aloof version of Eleanor, she makes her presence felt throughout the film.


12.
Tabu in Haider
Tabu showed in Haider why she's considered one of the best actors of Indian cinema. Sure, the film is about Haider (who is based on Hamlet), but it is Tabu's Ghazala who steals the show. I must give props to the director Vishal Bharadwaj as well for creating a character like her, a middle-aged mother who is completely driven by her passions no matter how unorthodox they may be, a rarity anywhere but especially in Bollywood. However, it would all have been for nought if Tabu hadn't given such a daring and unforgettable performance in that role.


11.
Jenny Slate in Obvious Child
Kinda like Moore, Slate fully won me over at one point in her performance- it is when the *SPOILERS BUT NOT REALLY* abortion is finally taking place and the close-up is on Slate's face. It starts out as funny because she looks stoned almost but then her eyes well up and tears stream down the side of her face and you feel so much for this woman. Of course, there is a sadness in the film but there is also life and happiness and Slate embodies both those parts so well. It is a very sweet performance.


10.
Jack O'Connell in Starred Up, Unbroken and '71
I have been raving about O'Connell everywhere on the internet. I have been a fan since his Skins days but I too was amazed by the caliber of performances he's given this year. Of course, Starred Up has his best performance. He's almost like an animal. His physical acting is only matched by his raw, emotional sensitivity. As for Unbroken, I think he really elevated the film as much as he could. He has such charisma. Finally, in '71, the whole film is so gritty and intense and O'Connell is a major reason for that.


9.
J.K. Simmons in Whiplash
I almost just want to write that I will never see Juno the same way again and leave it at that. There's such vehemence in this performance. It blows one away until they're left quivering, even more so because, just like with the Miles Tellers' character in the movie, we are constantly taken in and manipulated by it and we are surprised at every turn.


8.
Brendon Gleeson in Calvary
Remember what I wrote about McAvoy earlier- just take that and like multiply it a thousand times and that's how appalled I am at everyone for not giving this performance its due attention. There is such inner turmoil in Father James' life that Gleeson is able to portray. He is supposed to be stoic because he's a priest but we feel the anger, the sadness, the frustration of this man who is still, after all, just a man. It is a finely tuned and deeply human performance.


7.
Edward Norton in Birdman
Norton in Birdman reminded me why it is I fell in love with him in the first place. He is totally unpredictable. Every time I thought I had this character figured out, he went and did something completely opposite to what I was expecting and Norton not only performs the different facets of this character's personality brilliantly, but also those tiny moments of when he's transitioning from one to another. 


6.
Marion Cotillard in Two Days, One Night and The Immigrant
Similar to Arquette, watching Cotillard in Two Days, One Night was a constant series of "Oh crap, she's acting here!" She became Sandra so completely that it was baffling to think that this is not a someone who really exists whose life we are following and who we are witnessing actually go through clinical depression. Cotillard is completely immersed in her role. She is very good in The Immigrant as well, delivering a nuanced and oftentimes surprising performance 


5.
Tom Hardy in Locke
Seriously, when was the last time you were interested in listening to someone talk about concrete? I'm gonna go with never (no offence meant to anyone who works with concrete and reads this blog). But listening to Hardy talk about it, I was completely riveted, enthralled, spellbound, rapt! Locke was sold as the movie with Tom Hardy in a car and it's an excellent movie mostly because of the Tom Hardy part. I love one-man movies because it must be so difficult to act on your own and not having someone to react to, and Hardy faces this challenge head on. He explores so many sides to this character in such a short movie with such a constricted setting. It's a masterclass in acting.


4.
Essie Davis in The Babadook
Of all the performances in this list, I have a feeling I will grow to love this one the most over the years. I was already more impressed with it when I rewatched the film. The way Davis goes from meek and tired to ferocious and unhinged over the course of the film is just staggering. It's not just her face or her physicality but also her voice that changes. There is such control in this performance. It is definitely going to go down as one of the best roles in horror history.


3.
Ralph Fiennes in The Grand Budapest Hotel
Like Leo last year, seeing an established "dramatic" actor tackle a funny role has brought me great joy. Obviously, Fiennes already gave us a taste of comedic chops in In Bruges, but he's just spectacular in The Grand Budapest Hotel. From his proper mannerisms to the delectable way words just flow from his mouth, to the fact that though this is a comedy performance, there is such a poignant undercurrent that runs through it that Fiennes brings out in the way he acts and speaks, it is simply a delight to watch him in this role.


2.
Jake Gyllenhaal in Nightcrawler and Enemy
At one point during Nightcrawler, I remember thinking to myself "THIS guy played Bubble Boy." It is mental to think about how far Gyllenhaal has come as an actor. Though I thought his work in Nightcrawler was better than both his roles in Enemy, the fact that one actor in one year has managed to give these absolutely crazy yet disturbingly believable performances, all of which are so varied and complex in their own ways, needs to be lauded by one and all. I am fully on board with whatever Gyllenhaal tackles next.


1.
Rosamund Pike in Gone Girl
And then there was one. And what a performance at that!
More than anything else, it is Pike's voice as the real Amy that has stuck with me. As incredible as it is to watch her transformation from pretty waif into psychotic mastermind on screen, the fact that she manages to even lace her voice with that creeping madness is what blows my mind. It gets under your skin.
Though of course, it is the expression her eyes too that can be so innocent in the first scene and completely predatorial in the last that makes her performance the best of the year.
Plus, I can't leave out talking about how multi-layered her work is. She is funny, ethereal, terrifying, manipulative and so much more. She did something I didn't think was possible- outdo the book Amy. I don't remember the last time the cinematic portrayal of a literary character not only matched my expectations, which in itself is rare, but also brought out sides and depths that weren't in the book.
Basically- Amazing Rosamund is amazing.


What were your favourite performances of 2014?

Also in Best of 2014:

Tuesday, 3 February 2015

"Why is your penis on a dead girl's phone?"- BEST OF 2014: TV EDITION!

           Yeah I know, that's some post title. It's my favourite television quote of last year simply because the hype for it was HILARIOUS! Anywho, it's finally list-making time on my blog and for the first time ever, I am doing a television list, or rather 3 of them (this is going to be a looooong post). This is because I am becoming more and more of a TV fiend. I may not watch as much as some other bloggers out there but I am definitely watching the most TV I have ever done in my life. A lot of big shows one expects in lists like these like The Good Wife or Mad Men and so on, you won't find in mine because I still haven't gotten around to watching them. I think my lists are a bit off-the-centre but I hope you like them all the same.

          I should add that I'm considering 2014 as a normal calendar year and not in the TV calendar way which is honestly confusing to me. Also, though I haven't written any honourable mentions, believe me, there are loads.

FAVOURITE EPISODES OF 2014

10.
"Moving Up"- Parks and Recreation (6x21/22)
The only reason this is so low in my list is because I had watched it so long ago. But I remember loving it to bits and thinking it was a befitting series finale to a most wonderful show.


9.
"Apartment Hunters"- Broad City (1x09)
Honestly, any episode of Broad City could have made it in but I feel like with its impossibly awesome opening scene and Amy Sedaris' legendary turn as the craziest broker ever, this one deserved a spot here the most.


8.
"Chapter 1"- Jane the Virgin (1x01)
Again, I have loved all the episodes of this show so far but the first one gets major props for introducing us to its crazy telanovela world and its lovely characters and just getting us addicted to all of it almost instantly.


7.
"In Summation"- The Fall (2x06)
Maybe it's because this show is so fresh in my mind but god, this episode was the bomb! The interrogation scene alone cemented a spot for it on this list. And then there is that excruciating and plain awesome ending.


6.
"The Secret Fate of All Life"- True Detective (1x05)
I just never saw this episode coming, like in a million years. It turned everything around. The main mystery was ostensibly solved and we still had half a season to go. Also, it looked great.


5.
"Listen"- Doctor Who (8x04)
I was genuinely scared during this episode, which is the last thing I expect from a show like Doctor Who but there you go. Also, it was ballsy to go the places it went- from having a major part of the episode being a realistic romcom to actually taking us to the Doctor's childhood.


4.
"Mizumono"- Hannibal (2x13)
This episode is the embodiment of all Hell breaking loose. I was devastated by the end but I loved every minute of it. Can you imagine if the show ended with it?


3.
"His Last Vow"- Sherlock (3x03)
The bleakest Sherlock episode to date, it gave us one of the most shudder-inducing villains that I have seen and to see Sherlock and John tackle him was a helluva ride. It also had Sherlock almost dying AND Sherlock making out with a girl so there's that. And let's not even talk about that cliffhanger.


2.
"Fight"- Masters of Sex (2x03)
The first of the two episodes in this list where most of the action, so to speak, takes place between a man and a woman in a room over the course of a night. This is one of the finest hours of television of last year and will go down as one of the highest points in the show's history. It is sexy, heartbreaking, amazingly acted by both Lizzy Caplan and Michael Sheen and just gorgeous. 


1.
"The Wedding"- Outlander (1x07)
I would say spoilers except everyone has already freaked out about this episode. This is the sexiest television episode I have ever seen. A whole hour built around two people coming together and god, it is amazing. Yes, the sex scenes are great, especially due to the fact that they're from a woman's perspective (gasp!), but this is also an intensely romantic episode and also very funny. It almost works as a standalone episode if you have a basic idea of what the show is about but the build-up to it is even more fantastic. So yeah, call me a pervert if you will but I loved the hell out of this episode.



FAVOURITE PERFORMANCES OF 2014

15.
Karen Gillan in Selfie (RIP)
As much as I loved Amy Pond, Gillan was always overshadowed by Matt Smith and Arthur Darvill in Doctor Who. So I was really not expecting the burst of energy that she brought to Eliza Dooley. Her crazy accent, her readiness to make a total fool of herself, the quieter, emotional moments, that "Chandelier" cover- all of it was so pleasantly surprising. I really hope some other great comic role comes Gillan's way soon.


14.
Peter Capaldi in Doctor Who
Speaking of Doctor Who, I didn't think I would get over Matt Smith so quickly but Capaldi is fantastic in this role! One of my favourite things about last series was how often I thought that maybe he is the villain, which was so unique. And it made his inevitable goodness that much more impactful. Also, bless the Scottishness and the eyebrows.


13.
Abbi Jacobson and Ilana Glazer in Broad City
This is the first of the 3 pairs in this list because none can exist without the other. In Abbi and Ilana's case, it is a little difficult to separate their real selves from the characters they play but who cares when all of it is sooooooooooo fucking hilarious?! Both of them are great in this show!


12.
Pedro Pascal in Game of Thrones
He was delicious. Not only because of the sexiness but because there was so much to sink one's teeth into in a performance like this. He was cocky and dangerous and courageous and heroic.


11.
Gina Rodriguez in Jane the Virgin
This show has a lot of wonderful performances but Rodriguez really leads the bunch with her funny as well as poignant take on a young woman who is trying to figure out what to do in a totally insane situation. Also, it's amazing to root for a genuinely good person and Rodriguez makes us do that.


10.
Finn Wittrock in American Horror Story: Freak Show
Though his work out in tighty-whities bring Patrick Bateman to mind, Wittrock's Dandy is another type of psycho all together. One of the most enjoyable and terrifying characters of last year, Wittrock shone brighter than any of his more famous co-stars by really embracing the crazy.


9.
Woody Harrelson and Matthew McConaughey in True Detective
I seriously cannot pick one over the other. Of course True Detective came out at the height of McConaissance and he did incredible work in the show but at the same time, I couldn't help but think that Harrelson was the most perfect casting choice in the show.


8.
Gillian Anderson and Jamie Dornan in The Fall
These two get a slight edge over my #8 pairing because I was constantly surprised by them. I never know what to expect from this show and a huge reason for that is the two lead performances. One keeps somewhat rooting for Dornan's Spector even though we know he's a bad guy and sometimes Anderson's Stella makes it really hard to care for her but she's never not fascinating.


7.
Jenna Coleman in Doctor Who
I don't know what Moffat did between series 7 and 8 but he made Clara into a real person and finally gave Coleman a chance to showcase her talents properly. She's so good in this series, exploring Clara in and out. Yes, sometimes the show tries to paint her character in broad strokes but Coleman always finds something real and human even then.


6.
Lizzy Caplan in Masters of Sex
Ugh she's just soooo good in this show! Again, it's a show full of excellent acting but Caplan is still head and shoulders above everyone else. Her character is so complicated but Caplan is able to reveal everything about her in such heartbreaking ways.


5.
Martin Freeman in Fargo/Sherlock
Yes, he was better in Fargo but I love John and drunk John so you all can suck it! I never could have expected someone as sweet and kind-looking as Freeman to play a character like Lester Nygaard. It's not just that he's bad, but that he's so goddamn pathetic and Freeman just makes it so believable. Also that accent, oof! 


4.
Benedict Cumberbatch in Sherlock
This ranking is almost solely based on his performance in "The Sign of Three" which I feel is Cumberbatch's best performance to date. It shows his emotional, dramatic, comic, purely fucking alien sides perfectly.


3.
Billy Bob Thornton in Fargo
No one has made me laugh and subsequently unable to sleep at nights as well as Thornton did last year. Lorne Malvo is completely unpredictable and Thornton is able to infuse just the right amount of sinister with humour and yet feel like a real person to make us react that way to Malvo.


2.
Tatiana Maslany in Orphan Black
I just never remember that this is ONE person playing all these characters. She's on this list purely for that one/multiple moments during every episode when I am completely taken aback that these are not separate actors playing these various, complex roles.


1.
Lorraine Toussaint in Orange is the New Black
I wrote in September that no other television performance of 2014 will beat Toussaint for me and looks like I was right. She was incredible as Vee. Though I had issues with such a humane and compassionate show for giving us an out-and-out villain, she made it worth it. She was so manipulating that even the audience could get confused. She went from emotion to emotion but with such control, it was awe-inspiring.



FAVOURITE TV SHOWS OF 2014

10.
The Fall, series 2
I have a thing for super bleak British dramas and this one is probably my favourite of the lot. I just never know how to react. It constantly provokes unconventional responses and evaluations because it refuses to get bogged down by the expected formula of such shows.


9.
Game of Thrones, season 4
This was one of my favourite seasons just because it was nice for a change to see some of the bad guys get punished. As enjoyable as the show it, it feels masochistic at times to constantly have your favourites ripped away from you. Of course, that *did* happen in this season as well, but we got some well-deserved redemption. Plus, Khaleesi objectifying Daario for all womenfolk, amirite?


8.
Hannibal, season 2
I would have probably placed this show here based on its visuals alone. It is the best-looking show on television. #fact But it is also like a fever dream that keeps evolving and changing and morphing into new, beautiful, terrifying shapes and we can't help but be mesmerised by it all. It also has fantastic performances and god, this show made me want to eat a human leg so make of that what you will.


7.
Veep, season 3
The funniest season of the funniest show on TV. The only reason I don't have any of the actors in my favourite performances list is because I love all of them! Seriously, I cannot decide. Everyone is so funny in this show and the writing is on point and the humour is razor sharp. I love it.


6.
Masters of Sex, season 2
It's interesting to see how this show is moving from season to season. Since this has a historical base, they do try and do service to that, but at the same time, it is ultimately about the people. While the first season was more about the study, this one sees how it has truly impacted the lives of everyone involved. The writing, acting, look- everything continues to be top-notch. I want more.


5.
Jane the Virgin, season 1 (so far)
All the other shows in this list have been evaluated on their complete seasons/series but in spite of having just half of its season out, I had to put Jane the Virgin here. First and foremost, it's because I love this show. I am not the genius who realized this but the show is like Pushing Daisies meets Gilmore Girls meets Ugly Betty- there's that much magic, colour, human warmth, humour and culture in it. Secondly, I just don't see it getting bad. It keeps finding new ways to surprise and entertain and invigorate us with its loveliness. It is both the most melodramatic and the most beautifully human show in this list.


4.
Doctor Who, series 8
I had no idea how I was going to deal with this series. My Doctor was gone and this was the first time I was actually seeing a new Doctor at work. There was going to be a shift not just in the Doctor's personality but also in his relationship with Clara, who had been quite underwhelming as a companion so far herself. And my gosh, were all my doubts baseless or what?! Moffat and Capaldi have given the show a novel, exciting direction for a new Who fan like me. It was a pretty fantastic series with some truly stellar episodes and characters, from Missy to Danny Pink to Twelve himself.


3.
Fargo, season 1
I will be the first one to admit that I didn't think this show would work, and I became a Fargo the movie fan last year itself so that was pretty pretentious of me. I will have you know that I was obviously completely wrong and idiotic, as all pretentious people are, and this show is fucking genius! It is so funny and dark and filled with so many great characters. The time shift was one of my favourite moments of television last year. I love the violence in it because it is actually entertaining and not gratuitous. Also, like Jane the Virgin, it is so awesome to champion a truly good protagonist.


2.
Broad City, season 1
I feel like this is a show I needed all my life and I didn't even know it and I am so glad that I have found it. I keep rewatching it because it makes me cry with laughter. It is totally insane but in such a good way! I just can't get enough of it.


1.
Sherlock, series 3
You guys know how impatient I am, right? I mean, I don't ever publish reviews here because I get bored while writing them and I want something else. Watching a western seems like the cruelest punishment one can give me. All of this has a point, I promise, and that is it has to be a very special kind of show that will make ME wait two years for it and then deliver something that will make me willing to wait even longer after that. And that was what series 3 of Sherlock was. True, they were not able to really match up to expectations with "The Empty Hearse" but even in a lesser episode like that, there were countless moments of gold. Then we got "The Sign of Three" and "His Last Vow" which were the funniest and the darkest episodes of the show respectively, and well, some of its best.
If you watch this show as much as I do, you see that every series is a movement into developing the character of Sherlock who has gone from a "high functioning sociopath" to basically a total softy who deeply cares about a few but significant people in his life and can do any and everything for them. And none of that is possible without giving due importance to these other characters who also get their time to shine. I swear, I am not merely fangirling. This show and this series are excellent television in every sense.



Phew! If you've made it this far, here's a virtual pat on the back from me to you *pats and then subtly wipes her hand on her clothes*. I will soon start with the film version of this post and those will be shorter and more varied. Yayy for blogging!

What do you all think? What were your favourites?