Showing posts with label Simon Pegg. Show all posts
Showing posts with label Simon Pegg. Show all posts

Saturday, 1 March 2014

“I like things that look like mistakes.”- 25 FAVOURITE PERFORMANCES OF 2013

        2013 was an amazing year for performances. I had an especially tough time with this list because at one point, every movie I was saw had a performances I greatly loved or appreciated. Since this is a subjective list, I am going to go with my "favourite" performances over what may be considered the "best" performances, except my for number 1. That is THE best.

Honourable mentions- Well, my shortlist has 62 names and so if I were to name the ones that didn't make it into the final list, my honourable mentions will exceed the latter. I am cheating in this list as it is.



25.
Bradley Cooper in American Hustle
In a movie where everyone is trying to out-act each other, Cooper's Richie is the only character that ends up feeling real. There is a sincerity that Cooper is able to bring to the role, even when Richie is going nuts. And man, those rollers.

24.
Emma Watson in The Bling Ring
I don't think I have had more fun listening to a character this year as much as I did with Watson's Nicki Moore. That interview scene alone guaranteed her a place in this post.

23.
Pauline Burlet in The Past
In both of Farhadi's movies that I have seen, I ended up feeling the worst for the children. They are subjected to the complex and perplexing workings of the adult world and the results are ruinous. When we first see Burlet's Lucie, we just think she's a moody teenager. But she is full of layers and the more we find out about her past and what she did, the more we feel for her. She is riddled with guilt and confusion and seeing her coming to terms with her actions is devastating.

22.
Alden Ehrenreich in Beautiful Creatures
I really think Ehrenreich's performance in Beautiful Creatures puts him in the league of John Cusack in Say Anything. Playing the small-town boy with the big dreams, he is full of charm and intelligence and has fantastic charisma on screen. He also gets my vote for "breakthrough actor of the year".

21.
Bruce Dern in Nebraska
Dern plays a man completely obsessed with his lottery win in Nebraska. There are so many ways this performance could have been a caricature but instead, it is the perfect mixture of sad and funny. He doesn't say much and often appears almost oblivious to everything around him, but that look in his eyes full of some kind of longing is enough to make him one of the most human characters of last year.

20.
Julie Delpy in Before Midnight
As depressed as I was by the transformation of beautiful, inspiring Celine of the first two Before movies into this crazy, neurotic, argumentative person, one cannot deny the work that Delpy achieves here. She lets herself get ugly and awful, but this Celine is also the most fleshed out that we've ever seen her. And I do think she would be more attached to the character than all of us so to explore her unsavory side like she did here is commendable.

19.
Matthew McConaughey in The Wolf of Wall Street, Mud and Dallas Buyers Club
The order of the pictures are given according to my favourite performances of Matty M. last year. Witnessing McConaissance has been a privilege and 2013 was another great year for one of the most shockingly (at least for me) versatile actors of this era. All his performances were excellent though that money chant really takes the cake.

18.
Jake Gyllenhaal in Prisoners
This movie questions our ideas when it comes to what makes someone a hero and what makes them a villain. Captain Loki is not a likeable person but he is the good guy. From the blinking to the hair, Gyllenhaal makes Loki a very compelling character to watch.

17.
Léa Seydoux in Blue is the Warmest Colour
While watching Blue is the Warmest Colour, we are mesmerised by Adèle. And Adèle is mesmerised by Emma. Seydoux had to create a character that would justify this devotion because only then would the subsequent break up ravage the way it did, and she did so beautifully. 

16.
Matthew Goode in Stoker
There must have been a lot of pressure on Mr. Goode for playing a character based on one made famous by Joseph Cotten. But he more than matches up. He is the quintessential psychopath- attractive, disturbing and lethal. He has an iciness that creeps under your skin but goddamnit, you like it!

15.
Shailene Woodley in The Spectacular Now
In very simple terms, Aimee is a good girl who falls for the (sorta) bad boy. It's kind of a cliché, but I've never seen anyone play it the way Woodley does. She is so sweet but so real at the same time that we feel almost angry seeing her go down that path as though she's someone we know. Woodley's natural charisma is the reason why.

14.
Joaquin Phoenix in Her
Her is an incredible film for many reasons, one of the biggest being that a lot of it is, like the College Humour poster said, close-ups of Joaquin Phoenix's beautiful face as it registers the myriads of emotions that Theodore goes through. They are all so subtle and so precise. Phoenix probably has my favourite cinematic face and in my eyes, no one else could have played this role.

13.
Julia Louis-Dreyfus in Enough Said
While we would expect it to be something purely comedic, JLD in Enough Said gives one of the most layered performances of the year. Yes, she is funny but in the humour, one can see elements of sadness, fear and confusion, which is what makes her so human.

12.
Sandra Bullock in Gravity
I love films that are basically one-man or one-woman shows (See also: The Pianist, 127 Hours) and Gravity, in all its visual splendour, would not have worked if it didn't have one immensely strong lead performance. Bullock gives just that, and not only is her physical accomplishment praise-worthy but also the emotional depth she brings to the film. 

11.
Tom Hanks in Captain Phillips
Of course that ending is devastating, but it would not have had half its impact if Hanks didn't play his role with such a vulnerable self-control throughout most of the film. We can almost feel his fear but he IS the captain and he has to stay composed and brave at the face of adversity. And finally, he lets it all out. It is a masterclass in acting.

10.
Irrfan Khan and Nawazuddin Siddiqui in The Lunchbox
There is a certain pleasure you get in seeing two actors playing off each other. In the movie, in spite of his initial reluctance, Irrfan Khan's taciturn Sajan finds a friend in Sidiqui's openhearted Shaikh, and for the latter, the former becomes a sort of father/brother figure that he always wanted. This bond, though unusual, is strengthened throughout the film in an effortless manner because of the way both these actors play their characters. Khan, who also has a great cinematic face, reveals the inner grief of his character without saying much, and in contrast, Sidiqui's character is hilariously loquacious but he too has a poignancy to him.

9.
Tye Sheridan in Mud
Sheridan's Ellis just breaks my heart. We go through the film seeing the faith that Ellis has in the idea of true, everlasting, almost heroic love. He doesn't talk a lot but you can see this wonder in his eyes. When he finally comes face-to-face with the reality of the world, his reaction is shattering. There is such hurt and anguish. Like I said in my Making a Case post, "it is astonishing to see someone so young capture all these emotions with such intensity that even grown-ups sometimes can't." Really blew me away.

8.
Jonah Hill in The Wolf of Wall Street and This is the End
Hill was definitely going to be in this list after playing the self-parody he does in This is the End, playing a cockier, crazier, possessed-er version of himself. And then I saw WoWS. Teeth, glasses, coke, fish, Fucksville- all of them would have been pointless if we didn't have a comic genius (yes, I totes believe that he is one now) playing such a character who makes it completely his own without letting all of that overpower him. Both these roles could have been mere caricatures but Hill makes them more than that.

7.
Simon Pegg in The World's End
I think barring my number 1, no other performance this year has managed to surprise me the way Pegg's did here. Specifically, when we find out Gary King's "truth" at the end. There is such sadness and anger and disappointment that I was absolutely amazed by Pegg's acting abilities. That one scene then puts the rest of the movie in perspective. He is definitely hilarious in the film but under all that frenzy, there is a darkness that I didn't know Pegg was capable of portraying.

6.
Scarlett Johansson in Don Jon and Her
I think ScarJo is an incredibly gifted actress and 2013 was the year when she showed all of her talents. In Don Jon, she went all va va voom on us with her Barbara. Like Hill earlier, she could have been just a farcical characterisation of a certain type of person, but she finds ways to give her character depths which are surprising. And man, that scene in the hallway. I remember whispering to my friend sitting next to me in the theatre, "I can't believe she just went there." Coming to her performance in Her, it is plain astounding the way she manages to make someone who is as real and as human as one can be through just her voice.

5.
James Franco in Spring Breakers
Speaking of being stunned at someone "going there", remember when Franco's Alien fellates a gun? I can handle all of Franco's artistic nonsense if he continues to give performances like this one. It's not just the look but the utter conviction with which he pulls it off. From his extolling speech about all of his shit to the "Everytime" scene, Franco owns this motherfuckin' role.

4.
Cate Blanchett in Blue Jasmine
There is something of a tragedy about Jasmine. Then again, she's also awful, manipulative, greedy and crazy. Leave it to Blanchett for making a role so funny and so pitiable at the same time. Just listen to every time she starts talking about the song "Blue Moon". It is obviously hilarious, but at the same time, you can't help but feel for her misfortunes, not that she didn't deserve them but the way they have affected her is, well, tragic indeed. Oscar #2 could not have been received for a better performance than this one.

3.
Adèle Exarchopoulos in Blue is the Warmest Colour
A part of me is unsure about how much of Exarchopoulos' performance is in fact a performance. Yet, I am equally impressed by an actor who would let someone film them so intimately. I actually feel it would be harder for someone to just be like the way Exarchopoulos is in the film. Every emotion, every tear, all the eating, all the feelings- we see everything and while she might frustrate us with her irrationality at times, we are ultimately transfixed by her.  

2.
Greta Gerwig in Frances Ha
Up until the new year, I was sure that no one will be able to replace Gerwig's performance as the struggling almost-grown up protagonist of Frances Ha from my top spot. I kind of adore her. Frances is flawed but Gerwig puts so much charm into this performance. It is effortlessly real and humorous and just endlessly relatable. It might not be the best performance of the year but it's definitely one of my most favourites.

1.
Leonardo DiCaprio in The Wolf of Wall Street

And then there was Leo. I kind of don't want to say anything because there is just SO MUCH TO TALK ABOUT THIS PERFORMANCE OH MY GOD!
Once upon a time I had written a post about how the majority of Leo's characters end up dead or mad or grieving and how I wanted him to tackle something lighter. Yes, WoWS has a terrifyingly dark reality to it, but it is also an outrageous and hilarious movie and much of this duality is thanks to Leo's performance as the wolf himself, Jordan Belfort. We don't realise when the three hours go by as we are completely entranced by the madness that is Belfort's existence and Leo sells every fucking minute of it. He plays a horrible human being but makes him insanely entertaining. The faces that he makes, my goodness! And then there is the physical comedy bit when he's suddenly doing straight-up slapstick. The drugs, the candle, the thumping, the flexing, the speeches, the curses- it is ridiculous the things that he does in the movie. But at the end of the day, it is the commitment to play so bold a role and do it using all of his gifts. I cannot tell you how happy it made me that Leo gave this performance looking the way he does. There are such set ideas about how appearances and "seriousness" in a role contributes to a better performance. Comic performances can be great performances too, as Leo proves here. Watch a clip of Jordan Belfort on Youtube and see how close a portrayal this is. And no, it is not simply funny. Though this film has no place for reflections, Leo still puts complexities into this role.

The first thing that had struck me about this performance was how it was simultaneously surprising and something I always knew Leo had in him. Oscar or no Oscar, this is the best performance of one of the most talented actors of our time and that is something to cherish. I don't know if Leo will ever be able to top this but I hope that he continues to dig into his comedic talents. Also, to really give a sense of how much I loved this performance, in case you were still unsure, it has definitely joined my top 5 male performances of all time.

Thursday, 5 December 2013

Making a Case for Comedy

         Stevee Taylor's "Making a Case for" Blogathon has returned, asking us to champion those underrated gems in 2013 films that will have a hard time getting the awards attention they deserve. For my first post, I am going to talk about those actors or films I feel deserve to be considered for at least the Best Comedy/Musical section at the Golden Globes (since the Oscars have no such category because they are all serious old bores over there).

        I am, for one, constantly in awe of the power of comedy and also how easily comedic performances and movies are dismissed by people. One of my most favourite wins of all time has to be The Hangover winning Best Film- Comedy/Musical at the 2010 Golden Globes. Sure, the film spawned two totally unnecessary and annoying sequels, but the original is still one of the funniest films I have ever seen and was completely worthy of the mantle given to it.

        This year, I think there are a couple of performances and movies that I genuinely hope make the cut and here's my case for them-


Emma Watson in The Bling Ring

Quite possibly my favourite purely comic performance of the year. Watson is fabulous as Nicki Moore, the most shallow, spoilt and attention-hungry member of the group of teenagers who went around robbing celebrity houses in order to feel like one. I have a soft spot for actors who immerse themselves into ostentatiously ridiculous roles (see also: Scarlett Johansson in Don Jon and James Franco in Spring Breakers), and Watson is just fantastic playing the ditzy and bimbo-accented Nicki and makes her hilarious in everything she says or does.



Simon Pegg in The World's End

I would rally for a Best Actor Oscar nomination if it would have been a less competitive year. For now, I would love for Mr. Pegg to get recognised at least by the Globes for the truly magnificent job he did with Gary King. It's not easy being as unlikeable a person as King and still make him cool and funny. He's loud and crazy but also lets us see the cracks in the whole persona of Gary King. It is a bloody brilliant performance and it would be the bestest thing ever if he can get some or any awards attention for it. I swear, if he were a bigger star or the film wasn't a comedy per se, he would be getting more recognition.



This is the End and The World's End

2013 has been a good year for apocalyptic movies and none were better than these two comedies that both dealt with the end of days.

This is the End is flat-out the funniest movie I have seen all year. Though the premise sounds insane- a bunch of celebrities stuck in James Franco's house as the apocalypse hits the world, directors Seth Rogen and Evan Goldberg totally pull it off. We have actors like Franco, Jonah Hill, Danny McBride, Jay Baruchel, Emma Watson (again!) and so on parodying themselves and there is talk of Judgement Day and demons and there are drugs and an exorcism and a Milky Bar and cannibalism and home movies but it is all freaking hilarious! And then there's the ending which deserves an award all on its own. It was one of the most pleasantly (and by that I mean I was crying out of laughter) surprising movie experiences of my year, and I think a lot of people feel the same way, and therefore it would be great to see an actual super humorous film to get the Best Film- Comedy/Musical award. I would also love to see it get a Best Ensemble nomination at the Screen Actors Guild Awards.

Coming to The World's End, while it is not as funny as This is the End, I do think it is a smarter film with a lot of important themes that have been moulded incredibly well with all the comedic elements. As I wrote in my review, while on the surface it is a film about getting drunk with old buddies and alien invasions, it is actually about things like nostalgia, acceptance and alcoholism, and only a genius like Edgar Wright could show all that with so much hilarity. Plus, it would be great to see one of the most original trilogies of our time, The Three Flavours Cornetto Trilogy, get rewarded in some way. Because of the amalgamation of its complex ideas, Simon Pegg's performance, all the supporting actors, the amazing action sequences and most importantly in this case, the laughs, I think The World's End is totally deserving of a Best Film- Comedy/Musical nomination.


       More posts coming up. What did you think? Do you agree or disagree with my choices? Why aren't comedies given much awards attention? Please comment below.

Sunday, 8 September 2013

"How can you tell if you're drunk if you're never sober?"

       2013 has been an odd sort of year. I feel that the only reason that I haven't been completely blown away by most movies was because of my own expectations. I remember noticing sometime towards the end of last year how my most anticipated films of the year were mostly sequels. My top 3 ended up being Star Trek Into Darkness (fun if forgettable), Before Midnight (ummm) and topping the list was Edgar Wright's final installment in his Three Flavours Cornetto Trilogy, The World's End. I think I managed to lower my expectations for the latter, albeit being super duper excited everytime I read its name anywhere, but now that I have watched it, I kind of feel perplexed by it. Here's my review:


          The World's End follows five childhood friends, headed by their leader, their "king", Gary King- a reckless young man who plans an epic pub crawl with his friends in their town, Newton Haven. They were to visit twelve pubs in one night, starting with The First Post and ending with the one and only, The World's End. Unable to finish "the Golden Mile" as teenagers, a still very immature King decides to end what they started and reunites with his much grown-up friends twenty years later and they return to Newton Haven. However, they soon find out that something very fishy is going on in their old town and getting drunk and getting annihilated might not be the same thing after all.

         With Edgar Wright movies, the basic plot itself is not very important. He bends and moulds genres almost effortlessly. In Shaun of the Dead, we got a action-horror-comedy with a heart. In Hot Fuzz, he took every buddy cop movie ever made and transformed it into an uproariously funny look at country life. Scott Pilgrim vs the World painted the world of a guy incapable of dealing with relationships and adult problems with the bright colours of comic books and video games. Similarly, The World's End may just appear to be a film about people getting drunk and fighting an alien invasion, but it is really about a man who has refused to grow out of his teenage self's idea of cool and fun and is stuck in life while all of his friends have moved on and left him alone. It is also about friendship and closure, till both the bitter end and the lager end.


          The film, like the first two installments of the trilogy, Shaun of the Dead and Hot Fuzz, was written by Wright and Simon Pegg, and stars Pegg and Nick Frost (BEST ONSCREEN COUPLE EVER) as its leads. As expected, one of my most favourite things about the movie ended up being its writing. One-liners after one-liners, it was very hard to stop grinning or straight out laughing throughout most of the movie. For instance, "smashy smashy egg men" has to be one of the funniest things I have ever heard. But quite surprisingly, The World's End also had a poignancy to it that I was not expecting. Yes, the first two movies also have a human and emotional arc at their centres too, but this was so much more mature and affecting. Dealing with themes such as nostalgia, denial, the mundanity of life and even the attempts of the corporate world to control and conform everything and everyone, I can see my twelve-year old brother not enjoying it as much as he does Hot Fuzz, but that's not really a disadvantage. Far from it, actually. It is much more grown up film dealing with grown up things but in spectacular Wright-fashion. I even found myself, for the first time in an Edgar Wright movie, tearing up during one of the scenes, and not because of laughter. And this is linked with my other most favourite, and most pleasantly surprising, aspect of the film- Simon Pegg's performance.


         As much as I love Shaun and Sergeant Nicholas Angel, King ends up being Pegg's crowning glory, as it were, in the trilogy. He is the kind of character that first we feel sorry for being stuck in a rut for twenty years, but who later on rebukes us for our pity. I mean, he's Gary Fucking King and he's not having any of our shit! Impulsive, inappropriate, rude, sad, hilarious and oddly heroic, Pegg plays him with a sort of gusto that I haven't seen in a while. His manic movements are mixed with a strange sort of sadness of a man who never grew up to his ideal self, the king he had always imagined himself to be. It really is a wonderfully complex comic performance that is only elevated with his natural chemistry with Frost, who himself ends up being quite the convincing action hero of the film.


           There are other things to appreciate in this film too. The rest of the "Five Musketeers" consist of Martin Freeman, Paddy Considine and Eddie Marsan and they are all also very funny, and Marsan is just adorable. Other actors like Rosamund Pike and the second James Bond to appear in this trilogy, Pierce Brosnan are slightly wasted, but it is nice to see them all the same. The direction of course is top-notch. Wright has a gift of constructing elaborate fighting sequences, full of gags and with amazing editing, and all the fights in The World's End are no different. Added to that are all the pop cultural allusions to body-invasion films and also to his own films, as Wright has managed to create a look and feel for his films that is completely unique and instantly recognisable. And I do have a soft spot for filmmakers who do that.

         Throughout most of the running time of the film, I was completely enthralled. The tempo picks up considerably in the last act of the film with loads of fights and one awesome, side-splitting exchange in The World's End. I will say that at least in the first viewing, I got a sense of The World's End not being as flawlessly put together as the rest of Wright's movies, but I was so impressed with the themes that were being shown here, along with Pegg's acting of course, that I was totally enjoying myself. I really thought that maybe I won't be disappointed after all, just as I had hoped and prayed. And then it ended in the worst way possible.


         T.S. Eliot's "The Hollow Men" ends with a frequently quoted line- "This is the way the world ends, not with a bang but a whimper." There is a part of me that cannot help but associate it with The World's End. And it's not just that the ending almost managed to ruin the film completely, but also that that is the ultimate ending of what could have been my favourite trilogy of all time. I cannot forgive that ending- it was just so awful.

        Still, in retrospect, the pros outweigh the cons by a huge margin and I am quite pleased with The World's End, though not as enamoured as I had hoped to be. I can fully see myself falling more and more in love with the film in the future (minus the ending obviously), now that there are no more expectations to be met. Wright's movies are full of little details which is what makes them so rewatchable and I don't doubt that he and Pegg must have hidden a number of slices of fried gold in The World's End too. Why, even when I was coming up with my oh so scholarly comparison to "The Hollow Men", I noticed how the blanks in the film are sort of hollow men, and so are the human characters in a way, and was that Wright's intention all along? Also that this might be the movie in the trilogy that I feel people will connect to the most on an emotional level because it deals with one's expectations of themselves and reality being otherwise and choosing to accept that or not.


         I don't know if the Three Flavours Cornetto Trilogy, a name that has stuck after a brilliant joke made by Wright based on Kieslowski's Three Colours Trilogy, will end up being my favourite trilogy of all time, but I kind of want to go with Gary King's proclamation at the end about how imperfection is better than something cold and perfect and The World's End might just be that. I mean, we will always have the disableds.


Thursday, 9 May 2013

"We are going to get to the World's End if it kills us."

As excited as I am about May 8th being the day our podcast starts, and also because it's my mother's birthday (HAPPY BIRTHDAY MUM!), there is yet another reason why I have been looking forward to it. Director Edgar Wright, on his Twitter page, announced that the trailer to The World's End, the last part in his Blood and Ice Cream/Three Flavours Cornetto trilogy, will be released on May 8th. AND TODAY IS THAT DAY!!


This film topped my most anticipated films of 2013 list, and with good reason too. I absolutely worship the first two films in this v.v.v.v. vaguely linked trilogy, which are Shaun of the Dead and Hot Fuzz. The first is at #10 of my 100-ish favourite films list, and the second is my 101st favourite film of all time and hence the one I regret the most for not having in the list. Edgar Wright is one of my most beloved directors because his ability to make something awesome and exciting out of almost boring genres, aliens and the apocalypse in the case of The World's End. There is a lot of humour and fun action in his films, and they have the most unexpected of heroes in them. Speaking of, The World's End also sees the return of Simon Pegg and Nick Frost, aka, BEST ONSCREEN COUPLE EVER! There's also my husband Martin Freeman, Paddy Considine, Eddie Marsan and Rosamund Pike, who are all excellent.

So here's the trailer and the stuff I loved in it-


All the pubs.

And this.

And all the awesome-looking aliens

And this.

And all the action.

And this.

And the fact that the trailer's tagline is this.

And of course, this.
EEEP SO EXCITED! I'M TOTES PREPARED TO GET ANNIHILATED!

Saturday, 14 July 2012

I am already in lesbians with this...


HOLY SHIT! I DON'T KNOW WHAT ANY OF THIS MEANS BUT I'M SO EXCITED!! AAAAAAAAAAAAAAAAAAAAA!!!

*after a few deep breaths*

This is the Comic Con teaser poster for the third and final film in Edgar Wright's Blood and Ice Cream/ Three Cornetto Flabours Trilogy, all starring my favourite onscreen couple, Simon Pegg and Nick Frost- The World's End. I live for the day when this releases.

The official synopsis-

“20 years after attempting an epic pub crawl, five childhood friends reunite when one of them becomes hell bent on trying the drinking marathon again. They are convinced to stage an encore by mate Gary King, a 40-year old man trapped at the cigarette end of his teens, who drags his reluctant pals to their home town and once again attempts to reach the fabled pub, The World’s End. As they attempt to reconcile the past and present, they realize the real struggle is for the future, not just theirs but humankind’s. Reaching The World’s End is the least of their worries.”