Showing posts with label Steven Moffat. Show all posts
Showing posts with label Steven Moffat. Show all posts

Saturday, 9 November 2013

"The moment is coming."


IT'S HERE, PEOPLE! THE TRAILER IS FINALLY HERE!!!!

I don't know if you know this about be me but I'm a little super duper excited for the upcoming Doctor Who 50th Anniversary Special "The Day of the Doctor". And after months of counting down to it, it is nearly here and BBC has finally released an official trailer.

"The Day of the Doctor" is special for various reasons- it's the 50th anniversary so it's gotta be big, John Hurt being awesomesauce, a return of shape-shifting villains from the 70s, more light thrown on the Time War and of course, the Tenth Doctor and the Eleventh Doctor interacting. Oh lawd, all my fangirl feels!


Anyways, let's just look at the trailer-

ALL THE EXPLOSIONS!
Is it all part of the Time War? We'll find out.


John Hurt's intro in the trailer, which looks a little inspired by Breaking Bad.


Eleven is back and is dangling from the TARDIS!


TEN IS BACK AND HE TALKS!!!


Clara's back!
Why is she crying?


And how does she have the vortex manipulator?
Parting gift from River? Can we expect a cameo?!!


Rose is back!
What is her hair even? A big question is whether or not Rose will meet Ten and/or Eleven in the episode. I certainly hope so.


And the Bad Wolf is back!
Chills.


AND THE FEZ AND THE GLASSES ARE BACK!
Favourite part of the trailer, obviously. They're going to be such bezzies.


The new villains- Zygons.
They do look frightening, but a little ridiculous at the same time. But they can shape-shift, which is very intriguing.


Joanna Page as the Doctor's much talked about former flame, Queen Elizabeth I


This throwback to "The Girl in the Fireplace"
It *is* Ten on the horse, yes?


The exploding Daleks is a scary concept, right?
Right?


This juxtaposition.
Eleven is still very much the main Doctor and it is apparent that Hurt's Doctor is someone affecting him more.


This cut too.


ALL THE THREE DOCTORS TOGETHER!
Walking towards an explosion like the badasses they are.


And here's them in the TARDIS.
Ten's converse shoes!


And Hurt's Doctor facing what people are saying is THE Time Vortex.
Is this how he ended the Time War?


It's a short trailer but it totally lives up to the hype. I've seen it 20 times already. Let's hope the episode is as awesome as this looks.



Update: The second, longer, better trailer-
TEN SAYS ALONSY AND HE AND ELEVEN COMPARE THEIR SONIC SCREWDRIVERS! *dies*


And here's the official synopsis. It's easy to guess which Doctor is present at which point.
"The Doctors embark on their greatest adventure in this 50th anniversary special. In 2013, something terrible is awakening in London’s National Gallery; in 1562, a murderous plot is afoot in Elizabethan England; and somewhere in space an ancient battle reaches its devastating conclusion. All of reality is at stake as the Doctor’s own dangerous past comes back to haunt him."


I'm so pumped, it's mental. I don't know if I'll be able to finish rewatching the new series in time, but rest assured, I have never been more excited for a television show in my life.


Tuesday, 6 August 2013

My thoughts on Series 7 of Doctor Who

So now that we know that Peter Capaldi is the new Doctor, it's finally time to take a look back. Yes, it has been almost three months since the series 7 of new Doctor Who ended and I am going to post my thoughts on it *now*. What can I say? I'm a lazy ass.

Overall, I will say that series 7 was one of the most ambitious series of new Who so far. We now know that it is Matt Smith's last series as the Doctor *sniff* as it was both Karen Gillan's and Arthur Darvill's as Amy and Rory *sniff sniff* when they left us in the mid-series finale last year.


Series 7 saw for the first time in new Who, no two-parter episodes. Steven Moffat, the head-writer, wanted to make mini-blockbusters every episode and while I do think that was aiming a little too high for the limited running time of the show, I also believe that there were cinematic genres and tropes at work in every episode. The series was a bit roller-coaster-like in the quality of its episodes- part 1 was better than part 2 but both had high points and low points.


This was also the first time I actually said goodbye to companions and welcomed a new one in the form of Jenna Coleman's Clara. I love Clara, but she's still not of the level of other companions yet, since most of her run so far was spent in trying to figure out who she is and not what sort of a person she is.


While I had hoped that Matt Smith would have had a series 4-like send-off (still the best series of new Who), only a blind idiot will disagree when I say that he has done some of his best stuff in series 7. That man can act and the Eleventh Doctor is just so wonderful and multi-faceted. I am so happy that Smith is leaving at such a high point for himself, though I still think he could have stayed longer.


Without further adieu, this is how I would rank all the episodes of series 7 of Doctor Who.


14.
Written by Neil Gaiman, Directed by Stephen Woolfenden


This may surprise people. After all, Gaiman's previous outing into the world of Who-writing gave us one of the most beloved modern Who episodes "The Doctor's Wife". Even if I was to not take into account the expectations this put on the episode, what annoyed me about it was the wasted potential. The entire setting was a goldmine that just wasn't exploited. However, I must also admit that this episode showcased Matt Smith's acting skills better than almost any other in his run as the Doctor. Also, loved Clara's bossiness and Warwick Davis's naturalness. On the flipside though, those children deserved to be "upgraded".

Favourite scene- Clara meets Mr. Clever for the first time.

Favourite quotes-
Mr. Clever: "That's cheating!"
The Doctor: "Just taking advantage of the local resources."

The Doctor: "Impossible girl. A mystery wrapped in an enigma squeezed into a skirt that's just a little bit too tight."


13.
Written by Neil Cross, Directed by Farren Blackburn


So the singing. That was random, eh? As amazing as Murray Gold is, having a musical-esque Doctor Who episode was a bit out there for me. Again, this episode gave very high hopes and didn't deliver on them. All the talk about ALL OF THE ALIENS, and we barely meet any of them. And again, Matt Smith's speech at the end is nothing short of spectacular, easily one of his greatest moments in the show. This episode also had some great visuals but was a bit of a mess if you think about it.

Favourite scene- The Doctor faces the Old God and asks it to take his memories.

Favourite quotes-
Dave Oswald: "...this exact leaf had to grow in that exact way, in that exact place, so that precise wind could tear it from that precise branch, and make it fly into this exact face. At that exact moment. And if just one of those tiny little things never happened, I'd never have met you. Which makes this the most important leaf in human history."

Clara: "So we're moving through actual time? So what's it made of, time? I mean if you can just roll right through it, it's got to be made of stuff. Like jam's made of strawberries. So what's it made of?"
The Doctor: "Well not strawberries, no. No no no. That would be unacceptable."

The Doctor: "Hey. Do you mind if I tell you a story? One you might not have heard. All the elements in your body were forged many many millions of years ago in the heart of a faraway star that exploded and died. That explosion scattered those elements across the desolations of deep space. After so, so many millions of years, these elements came together to form new stars and new planets. And on and on it went. The elements came together and burst apart, forming shoes and ships and sealing wax and cabbages and kings. Until, eventually, they came together to make you. You are unique in the universe. There is only one Merry Galel. And there will never be another."


The Doctor: "Can you hear them singing? Oh you like to think you're a god. But you're not a god. You're just a parasite. Eat now with jealousy and envy and longing for the lives of others. You feed on them. On the memory of love and loss and birth and death and joy and sorrow, so... so come on then. Take mine. Take my memories. But I hope you're got a big a big appetite. Because I've lived a long life. And I've seen a few things. I walked away from the last great Time War. I marked the passing of the Time Lords. I saw the birth of the universe and watched as time ran out, moment by moment, until nothing remained. No time, no space. Just me! I walked in universes where the laws of physics were devised by the mind of a madman! And I watched universes freeze and creation burn! I have seen things you wouldn't believe! I have lost things you will never understand! And I know things, secrets that must never be told, knowledge that must never be spoken! Knowledge that will make parasite gods blaze! So come on then! Take it! Take it all, baby! Have it! You have it all!"


12.
Written by Steven Moffat, Directed by Saul Metzstein

I actually really like this episode (then again, I really like/love all of them). After the heartbreaking farewell to Ponds, we see that the Doctor is as devastated as us and who better to bring him back into the world of the living than the Impossible Girl aka Clara? Jenna Coleman is an absolute doll in this, going from barmaid to governess in seconds. Her chemistry with Smith is magnetic. The supporting players in the form of Madame Vastra, Jenny, Strax, and the villain Dr. Gideon, played by the eeriely brilliant Richard E. Grant, are all excellent too. This episode also had one of my most favourite visuals in Doctor Who- the winding staircase to the TARDIS in the clouds. Just magical.

Favourite scene- The Doctor pretends to be Sherlock Holmes (fangirl fantasy come true).

Favourite quotes-
The Doctor: "Over a thousand years of saving the universe, Strax, you know the one thing I learned? The universe doesn't care."

The Doctor: "I'm the clever one. You're the potato one."

The Doctor: "No, I do the hand grabbing! That's my job, that's always me!"

Clara: "It's smaller on the outside!"


11.
Written by Chris Chibnall, Directed by Saul Metzstein


I recently read an article in which the writer claims that "Dinosaurs on a Spaceship" is an unsung classic. I am beginning to see what he/she meant. Yes, it is a bit crazy and childish, but we have some great moments in this episode. And I'm not only talking about the Doctor-Rory kiss. We meet Rory's amazing dad, Brian. We see Amy play Doctor. We get to witness a very dark side of the Doctor when just moments ago he was acting like a kid discovering dinosaurs on a spaceship. We have David Mitchell and Robert Webb playing robots. We also encounter one of the most sinister villains in recent Who history, Solomon played by Walder Frey David Bradley. Pretty awesome episode.

Favourite scene- Rory, Brian and The Doctor on the beach.

Favourite quotes-
Brian: "What sort of a man doesn't carry a trowel? Put it on your Christmas list."
Rory: "Dad, I'm thirty-one. I don't have a Christmas list anymore."
The Doctor: "I do!"

The Doctor: "Go Tricey! Run like the wind! How do you start a triceratops?"

Riddell: "Dinosaurs ahead. A lady at my side. About to be blown up. I'm not sure I've ever been happier."


10.
Written by Stephen Thompson, Directed by Mat King


Again, I loved this episode but seeing how the TARDIS is infinite, there was just *so* much more we could have seen. Having said that, it was another gorgeous-looking episode. Both Coleman and Smith were on top form and had amazing chemistry together. In all the topsy-turviness of the TARDIS, we even got a nice little emotional story with the salvage brothers. And of course, the Doctor's precious relationship with his one true love, the TARDIS.

Favourit scene- The Doctor and Clara in the heart of the TARDIS.

Favourite quotes-
The Doctor: "Don't get into a spaceship with a madman. Didn't anyone ever teach you that?"

The Doctor: "Smart bunch, Time Lords. No dress sense. Dreadful hats. But smart."

Clara: "What do you keep in here? Why have you got zombie creatures? Good guys do not have zombie creatures. Rule one, basic story telling.

The Doctor: "There's no way I can save her now. She's just always been there for me and taken care of me and now it's my turn and I don't know what to do."

The Doctor: "Running away with a space man in a box. Anything can happen to you.
Clara: "That's what I'm counting on."


9.

Written by Neil Cross, Directed by Jamie Payne


I loved all the different genres that this series of Doctor Who explored. "Hide" was an old-timey horror story, which was actually, as we find out in the end, a love story. The supporting actors, Douglas Scott and Jessica Raine, were some of the best of this series. The contrast between their relationship and that of Doctor and Clara was one of the many highlights of this episode. This episode also had some of the most incredible quotes from this series. The entire concept was just lovely and so meaningful, especially seeing the kind of life the Doctor has lived.

Favourite scene- The Doctor and Alec discussing the ghosts of their past.

Favourite quotes-
The Doctor: "You know I do love a toggle switch. Actually I like the word. "Toggle." Nice noun. Excellent verb."

Alec: "He's certainly got the right demeanor. Capricious. Brilliant."
Emma: "Deceitful."
Alec: "Yes. He's a liar. But you know, that's often the way that it is when someone's seen a thing or two. Experience makes liars of us all. We lie about who we are, about what we've done."
Emma: "And how we feel?"
Alec: "Yes. Always. Always that."

The Doctor: "How does that man, that war hero, end up here? In a lonely old house looking for ghosts."
Alec: "Because I killed. And I caused to have killed. I sent young men and women to their deaths. And yet here I am, still alive. It does tend to haunt you. Living after so much of... the other thing."

The Doctor: "The TARDIS is like a cat. A bit slow to trust, but it'll get there in the end."

Clara: "To you I haven't been born yet. And to you I've been dead a hundred billion years. Is my body out there somewhere? In the ground?"
The Doctor: "Yes, I suppose it is.
Clara: "But here we are talking. So I am a ghost. To you, I'm a ghost. We're all ghosts to you. We must be nothing."
The Doctor: "No. No. You're not that."
Clara: "Then what are we? What can we possibly be?"
The Doctor: "You are the only mystery worth solving."

Emma: "What did you see?"
Clara: "That everything ends."
Emma: "No, not everything. Not love. Not always."

The Doctor: "Every lonely monster needs a companion." 

The Doctor: "It's the oldest story in the universe. This one or any other. Boy and girl fall in love, get separated by events--war, politics, accidents in time. She's thrown out of the hex or he's thrown into it. Since then they've been yearning for each other across time and space. Across dimensions. This isn't a ghost story, it's a love story."


8.
Written by Steven Moffat, Directed by Colm McCarthy


Series 7 part 2 started off with a bang with this episode. It was both slick and fun. We meet both- the real Clara and Eleven's new costume. There were a slightly satirical tinge to the story, and a number of  salutes to Skyfall in the look and concept. Miss Kizlet was a creepy and sexy villainess who made it all so much better. Plus, I do love the Doctor on vehicles other than the TARDIS, in this case the plane and that awesome motorcycle.

Favourite scenes- Every exchange between the Doctor and Clara, from the phone call to the window to the "snog box".

Favourite quotes-
Clara: "It's gone. The internet. Can't find it anywhere. Where is it?"
The Doctor: "The internet?"

The Doctor: "Do you remember me?"
Clara: "No. Should I? Who are you?"
The Doctor: "The Doctor! No? The Doctor?"
Clara: "Doctor who?"
The Doctor: "No, just The Doctor. Actually. Sorry. Could you just ask me that again?"
Clara: "Could I what?"
The Doctor: "Could you just ask me that question again."
Clara: "Doctor who?"
The Doctor: "Okay, just once more."
Clara: "Doctor who?"
The Doctor: "Do you know, I never realize how much I enjoy hearing that said out loud. Thank you."

The Doctor: "Imagine that. Human souls trapped like flies in the World Wide Web. Stuck forever. Crying out for help."
Clara: "Isn't that basically Twitter?"

The Doctor: "I'm The Doctor. I'm an alien from outer space. I'm one thousand years old, I've got two hearts and I can't fly a plane!"

The Doctor: "It's a time machine. You never have to wait for breakfast."


7.
Written by Mark Gatiss, Directed by Saul Metzstein


Funnest episode of this series by a mile, which was great because we'd almost forgotten about it. Steampunk, fanatical villains, incredible female characters, old-school filming techniques, Matt Smith's northern accent, and of course, Strax- all of these helped in making this a super enjoyable ride. My favourite feature of this episode was the character of Ada, played superbly by Rachael Stirling, who reminded us of the great supporting characters that Doctor Who shows us every now and then who almost steal the entire spotlight, like a Joan Redfern or a Wilf Mott.

Favorite scene- The entire flashback made to look like an old cinematograph film.

Favourite quotes-
Strax: "I'm gonna go and play with my grenades."

The Doctor: "Hang on! Hang on! I've got a sonic screwdriver."
Clara: "Yeah? I've got a chair."


6.
Written by Mark Gatiss, Directed by Douglas Mackinnon


Not only did Gatiss write the most fun episode of this series, he also wrote the scariest one. Hell, this is one of the scariest episodes ever in new Who. The stakes are super high, the villain is an old one but with a new danger about him, the tension is just palpable all the way through, though not without some seriously funny bits thanks to Smith's fantastic timing. Again, it was a spectacular-looking episode, the kind that wouldn't have been possible a couple of years back. Really love this one.

Favourite scene- Clara goes to talk to Skaldak.

Favourite quotes-
Professor Grisenko: "Have I interrupted something?"
Captain Zhukov: "We were about to blow up the world, Professor."
Professor Grisenko: "Again?"

Captain Zhukov: "If The Doctor is right, then we are all that stands between this creature and the destruction of the world. Control of one missile is all he needs. We are expendable, comrades. Our world is not."

Professor Grisenko: "Ultravox! Do they split up?"

Skaldak: "You would sacrifice yourself?"
The Doctor: "In a heartbeat."



5.
Written by Chris Chibnall, Directed by Douglas Mackinnon


This episode has been growing on me ever since I saw it. I was not all that impressed when I first saw it, but after the Ponds' departure, their last happy moments with the Doctor became all the more precious. It is a small, simple episode that focuses on the longest relationship the Doctor has had in the new series. The Ponds are his family and he actually lives with them in this episode- becomes a part of their lives as much as they have a been a part of his. Funny, touching and memorable, "The Power of Three" is one little star of an episode.

Favourite scene- The raggedy man and the girl who waited sit by the Thames and discuss their future.

Favourite quotes-
Rory: "What do you think we do when we're not with you?"
The Doctor: "I’d imagine mostly kissing."

Rory: "There are soldiers all over my house and I'm in my pants."
Amy: "My whole life I've dreamed of saying that, and I miss it by being someone else."

The Doctor: "I'm not running away. But this is one corner of one country on one continent on one planet that's a corner of a galaxy that's a corner of a universe that is forever growing and shrinking and creating and growing and never remaining the same for a single millisecond, and there is so much—so much to see, Amy. Because it goes so fast. I'm not running away from things, I am running to them. Before they flare and fade forever. One day—soon maybe—you'll stop. I've known for a while."
Amy: "Then why do you keep coming back for us?"
The Doctor: "Because you were the first. The first face this face saw. And you were seared onto my hearts, Amelia Pond. You always will be. I'm running to you, and Rory, before you fade from me.

The Doctor: "I better get going. Things to do. Worlds to save. Swings to... swing on. Look. I know. You both have lives here. Beautiful, messy lives. That is what makes you so fabulously... human."

Brian: "Go with him. Go save every world you can find. Who else has that chance? Life will still be here."
The Doctor: "You could come, Brian."
Brian: "Somebody's got to water the plants. Just bring them back safe."
(*shakes fist* MOFFAT!)


4.

Written by Steven Moffat, Directed by Nick Hurran


So this was a killer opening episode. The look, the scale, the story- everything was as amazing as a Moffat story can get. I mean, talk about the surprises- the Ponds breaking up, the new companion showing up out of nowhere and then turning into a Dalek and then DYING! Also, that awesome opening when the Daleks ask the Doctor to save them. One of the best theories I have read about this show is how all the Daleks in the asylum were put there because they showed human feelings, like Oswin and like how tripped up Amy sees them (that ballerina Dalek, come on!). Also, as much as I love Clara, Oswin was really the best! Excellent, excellent episode.

Favourite scenes- The first time and the last time the Doctor talks to Oswin- the first is fun and the latter is scary and superb.

Favourite quotes-
Rory: "So how much trouble are we in?"
The Doctor: "How much trouble, Mr. Pond? Out of ten? Eleven."

Oswin: "Happy Birthday, mum. I did make you a soufflé but it was too beautiful to live."

Prime Minister: "It is offensive to us to extinguish such divine hatred."
The Doctor: "Offensive?"
Prime Minister: "Does it surprise you to know that Daleks have a concept of beauty?"
The Doctor: "I thought you'd run out of ways to make me sick. But hello again. You think hatred is beautiful?"
Prime Minister: "Perhaps that is why we have never been able to kill you."

The Doctor: "What have you been doing on your own against the Daleks for a year?"
Oswin: "Making soufflés?"
The Doctor: "Soufflés. Against the Daleks. Where'd you get the milk?"

The Doctor: "How can you hack into everything? It should be impossible. You're in a crashed ship!"
Oswin: "Long story. Is there a word for total screaming genius that sounds modest and a tiny bit sexy?"
The Doctor: "Doctor. You call me the Doctor."
Oswin: "I see what you did there."

Oswin: "Loving this. The nose and the chin. You two could fence."

Amy: "Don't you dare talk to me about waiting outside a box because that is nothing, Rory, nothing! Compared to giving you up."

Oswin: "Run, you clever boy. And remember."

Dalek: "Doctor who?! Doctor who?!"
The Doctor: "Fellas, you're never gonna stop asking."


3.
Written by Toby Whithouse, Directed by Saul Metzstein


Oh this episode just blew me away with its landscapes, its symbolism and its exploration of the Doctor's light and dark sides. I love it when we question the Doctor's morality. It just shows how complex this madman with a box really is. And Matt Smith just brings his A-game. His anger is absolutely terrifying. And Adrian Scarborough as Kahler Jex is the perfect yin to his yang here. Plus, that is one stunning episode. Saul Metzstein's direction in this entire series has been remarkable. An all-round incredible episode, one of the best in new Who.

Favourite scene- The Doctor talks to an imprisoned Kahler Jex.

Favourite quotes-
The Doctor: "Anachronistic electricity. Keep Out signs. Aggressive stares. Has someone been peeking at my Christmas list?"

The Doctor: "Tea. But the strong stuff. Leave the bag in."

The Doctor: "I speak horse. He's called Susan. And he wants you to respect his life choices."

Kahler-Jex: "Looking at you, Doctor, is like looking into a mirror almost. There's rage there, like me. Guilt there, like me. Solitude. Everything but the nerve to do what needs to be done. Thank the gods my people weren't relying on you to save them!"

The Doctor: "Every time I negotiate, I try to understand. Well not today. No, today I honor the victims first. His, The Master's, the Daleks'. All the people that died because of my mercy!"

The Doctor: "Frightened people. Give me a Dalek any day."

Kahler-Jex: "It would be so much simpler if I was just one thing, wouldn't it? The mad scientist who made that killing machine. Or the physician who's dedicated his life to serving this town. The fact that I'm both bewilders you."


2.
Written by Steven Moffat, Directed by Nick Hurran

Now this took a lot of thinking. The top two episodes are neck-in-neck in terms of storytelling, emotions, acting, stakes, pay-offs- just everything really. The heart-rendering "Angels Take Manhattan" only comes second by a tiny margin because it *is* a GREAT episode. I did not write a recap for it because I was that devastated by the Ponds' farewell. This show continued the series's trend of genre episodes, this one being a noir-esque tale. I love the way it opens and how naturally it moves from one act to another. The Weeping Angels are as terrifying as ever and Moffat really brings the danger back in this episode. Also, the tearworks this episode lead to were ridiculous. I have never cried in a television show like this. Of course, there was Amy's farewell and the breaking down of Eleven. But there was also Rory- amazing, wonderful Rory, willing to give his life again for the woman he loves. I mean that rooftop scene just kills me. And oh, the ending. Amy's letter. Eleven running to it. I can't even. Such a beautiful episode.

Favourite scenes- The rooftop scene and the farewell at the graveyard.

Favourite quotes-
The Doctor: "Oh I always rip out the last page of a book. Then it doesn't have to end. I hate endings!"

Amy: "Beware the Yowzah! Do not, at this point, yowz."

River: "Didn't you used to be somebody?"
The Doctor: "Weren't you the woman who killed the Doctor?"
River: "Doctor Who?"

River: "When one's in love with an ageless god who insists on the face of a twelve-year-old, one does one's best to hide the damage."

Rory: "I always wanted to visit the Statue of Liberty. I guess she got impatient."

Rory: "To save you, I could do anything."

Amy: "It'll be fine. I know it will. I'll be with him like I should be. Me and Rory together."

Amy: "Raggedy Man, goodbye."

Amy: "There's a little girl waiting in a garden. She's going to wait a long while, so she's going to need a lot of hope. Go to her. Tell her a story. Tell her that if she's patient, the days are coming that she'll never forget. Tell her she'll go to see and fight pirates. She'll fall in love with a man who'll wait two thousand years to keep her safe. Tell her she'll give hope to the greatest painter who ever lived. And save a whale in outer space. Tell her, this is the story of Amelia Pond. And this is how it ends."


1.
Written by Steven Moffat, Directed by Saul Metzstein


I was almost certain that "Angels Take Manhattan" was going to top this list. Reason- heart over brains. However, on a rewatch, I came to the realisation that "The Name of the Doctor" is as poignant as it is brilliant. I was and still am completely blown away by this episode. The ambition, the various threads that tied together so spectacularly, the acting, River, John Hurt, THAT AMAZEBALLS KISS- it was an episode that really shows the greatness Doctor Who is capable of. As much as one wants to hate on Moffat, the man is a friggin' genius. And he knows how to write a cliffhanger. That last shot is still fantastic. There couldn't have been a better episode to lead to the milestone 50th episode.

Favourite scenes- Clara meeting the various Doctors, River and Eleven, the revelation of the secret.

Favourite quotes-
Clara: "I blew into this world on a leaf. I'm still blowing. I don't think I'll ever land. I'm Clara Oswald. I'm the impossible girl. I was born to save the Doctor."

Vastra: "Time travel has always been possible in dreams."

The Doctor: "The little Daleks!"

Strax: "Surrender your women and your intellectuals!"

Strax: "The heart is a relatively simple thing."
Vastra: "I have not found it to be so."

GI: "Welcome to the final resting of the cruel tyrant. Of the slaughterer of the ten billion. And the vessel of the final darkness. Welcome to the tomb of the Doctor!"

GI: "The key is a word lost to time. A secret hidden in the deepest shadow, and known to you alone. The answer to a question."
The Doctor: "I will not open my tomb."
GI: "Doctor. What is your name?"

Vastra: "The universe without the Doctor. There will be consequences."

River: "How are you even doing that? I'm not really here.
The Doctor: "You're always here to me. And I always listen. And I can always see you."

The Doctor: "There is a time to live and a time to sleep. You are an echo, River. Like Clara, like all of this. In the end, my fault, I know. But you should have faded by now."
River: "It's hard to leave when you haven't said goodbye."
The Doctor: "Then tell me, because I don't know. How do I say it?"
River: "There's only one way I would accept. If you ever loved me, say it like you're going to come back."
The Doctor: "Well then. See you around, Professor River Song."
River: "'Til the next time, Doctor."
The Doctor: "Don't wait up."
River: "Oh there's one more thing."
The Doctor: "Isn't there always?"

River: "Goodbye. Sweetie."

The Doctor: "My name, my real name, that is not the point. The name I chose is the Doctor. The name you choose, it's like, it's like a promise you make. He's the one who broke the promise. He is my secret."
The Old Man: "What I did, I did without choice."
The Doctor: "I know."
The Old Man: "In the name of peace and sanity."
The Doctor: "But not in the name of the Doctor."



         So that's it. Very late post but I hope it was worth it. Now we just wait for November 23rd.

Thursday, 20 June 2013

Battle of Wits: Sherlock VS Elementary

If you heard the latest Across the Universe Podcast episode, you would know of my love for BBC's Sherlock. I was actually surprised at how much I enjoyed Elementary, since I was convinced I will hate it. Both are modern interpretations of Sir Arthur Conan Doyle's stories about the detective Sherlock Holmes and his friend John Watson. Let's see how both of them match-up.


The Shows

As we can see from the title cards themselves, both shows make it very clear that they're set in present times- modern London in the case of Sherlock and modern New York in Elementary's case. 

As far as the writing and the concepts go, I can safely say that Sherlock is the winner among the two. The Victorian Arthur Conan Doyle stories have been literally modernised in the show, from A Study in Red, which becomes "A Study in Pink" to A Scandal in Bohemia, which becomes "A Scandal in Belgravia" and so on. Sherlock Holmes in Sherlock very much lives in 221B Baker Street even though he wears nicotine patches instead of smoking pipes. In spite of there being only 6 episodes out, each episode is like a TV film in itself and the entire world presented to us is so complete, that we have been totally mesmerised by this modern Sherlock. The writing is top-notch, as it has to be when dealing with as famed a fictional character as Sherlock Holmes.  

Coming to Elementary, though it does modernise elements of the Sherlock Holmes-lore, like the fact that Sherlock doesn't smoke but rather has a drug problem, Dr. Watson is a woman (!) and his sober companion, what it basically is is a typical crime show. Most crime shows on TV usually have that one really intelligent member in the team, though of course in this, he just happens to be named Sherlock Holmes. The crimes in themselves aren't that remarkable. The writing is good enough, especially when it comes to the relationship between Sherlock and Watson (more on that later), but it doesn't sort of grab you the way Sherlock manages to from the second it starts.


The Sherlocks

It's not really fair to Jonny Lee Miller, who does a fairly good job with his rendition of the renowned detective, that he is competing with what has been voted the best portrayal of Sherlock Holmes EVER! Plainly speaking, Benedict Cumberbatch's Sherlock is the bee's knees (including those of Euglassia Watsonia). His manner of talking, and the speed thereof, the way he looks and moves, and oh the way he condescends- he IS Sherlock. It is completely believable that this is the cleverest man on the planet, and though there are a number of issues that arise due to that, this Sherlock doesn't really give a shit. He just goes into his mind castle and does magic. Even though we get to see things from his POV in the show, which does explain a lot about how he thinks and deduces things, Cumberbatch's Sherlock would be just as brilliant without them. And since he is usually seen as someone above human intelligence and feelings, when he does show his humanity and weaknesses, it is that much more affecting and shocking. Cumberbatch is really doing a wonderful job here and I sincerely hope he wins some accolades for it.

Coming to Miller, we get to see a much more human Sherlock in him. He has struggled with drugs, with heartbreak, is wrong about things many, many times throughout the course of the show and is even apologetic about them. The thing is, I like my Sherlock cold and calculating, which Miller's is not. And even though he is convincingly clever, he isn't quite the genius Cumberbatch's Sherlock is. Like if these two Sherlocks were to meet, Cumberbatch's Sherlock will probably tell Miller's Sherlock shut up regarding his thinking process because it is distracting him.

One clear point of difference between the two is their sexuality. The first time we meet Miller's Sherlock is after a girl has left his house and he is standing shirtless in his living room. His character is shown to be very sexually perceptive and experienced, and one who acknowledges his bodily desires. Though it is never properly revealed, Cumberbatch's Sherlock is almost definitely a virgin. His thinking abilities make it nearly impossible to be attracted to people as he often sees through them. The very first time we meet him, we see how Molly is showering her affections on him, but he is perfectly unresponsive to them. People suggest that he suffers from Aspergers-like characteristics. So from this itself, we can see the two Sherlocks we are dealing with here.

Winner- Benedict Cumberbatch's Sherlock by a mile, even though I will have no chance with him :/


The Watsons

Dilemma! So here's the thing about the two Watsons- I prefer the character of one and the acting of the other. 

Lucy Liu's Joan Watson in Elementary is a fantastic character. Though she starts out as a surgeon and then becomes a sober companion, which is when she meets Sherlock, she ends up being quite the detective. Joan is very intelligent, often discovering crucial clues in the criminal cases that Sherlock is solving and has missed. She is also very compassionate and helpful and is almost solely responsible for Sherlock's health and sanity. Not only him, she is often seen comforting others in the show and also being the go-between when Sherlock is being obliviously rude to people. To me, she is the more interesting character as we see her struggle in life but then she always manages to solve all her problems and those of others around her. Liu does a great job with her.

Martin Freeman's John Watson in Sherlock is pretty clever too, but the thing is, he is paired up with the far more intelligent Sherlock and thus seems dumber in comparison. He isn't that penetrating when it comes to the cases in the show. I would say he is often the brawn to Sherlock's brains as he usually is the one to throw the punches or pick up a gun. But god, Freeman really fills out this role. His Watson is so beautifully emotional and human. We can feel his exasperation, his protectiveness, his pain, his joys- all of that. He is shown as a military man so it's not like he wears his heart on his sleeve, but Freeman manages to convey all these feelings so well.

I do like how both the Watsons are shown as having scars from their past. After a patient she was operating on died, Joan found that she could not continue on as a surgeon. Oddly though, her subsequent jobs both deal with saving lives, as a sober companion for recovering junkies and then as a consulting detective. I guess she really has a taste for that. John, on the other hand, was a military doctor and was shot during combat. We see him haunted by that till he meets Sherlock. However, what he misses is the excitement that kind of life had which is why he enjoys working and living with Sherlock so much. 

Winner- I'm going to go with both.


The Police Captains

This one comes purely down to one's preferences. If you are into the slightly bumbling and jokey British police officers, Rupert Grave's Lestrade in Sherlock is the one you'd like. And if you are the kind to like the simple and straightforward American policeman, Aidan Quinn's Gregson in Elementary is your guy. They are both equally capable blue-collar men who do their jobs and put their trust in Sherlock.

Winner- The scales tip slightly in the favour of Lestrade, because he's just so adorable. Plus, he has said one of my favourite quotes about Sherlock- "Sherlock Holmes is a great man, and I think one day, if we’re all very very lucky, he might even be a good one."


The Irenes

Elementary builds a myth around the character of Irene. The most extraordinary love of Sherlock Holmes's life, the death of whom leaves him in spiraling down the rabbit hole of drugs. Also, he is obsessed with finding her killer and exacting revenge- one can even say that is his reason to live. We are completely captivated by her and the kind of woman she was whenever someone talks about her. When she is *SPOILERS* found alive, it is quite a shock. She is of course played by the ahmazing Natalie Dormer, who brings both the sass and the craziness to the role. One can understand why Miller's Sherlock (not quite so sure about Cumberbatch's) will fall head-over-heels with a woman like that. Of course the sad thing is that we get to see far too less of this Irene and we basically only know her through other's perceptions of her.

In Sherlock, Lara Pulver's Irene Adler is quite the sexy lady. A lesbian dominatrix, she is enthralled by Sherlock and subsequently he by her. She is the only woman who is able to baffle him. I love how plain seductive she is, from her "armour" to that message tone. Steven Moffat got a lot of heat for dumbing down Irene in "A Scandal in Belgravia" as she is shown to be dependent on Moriarty, but I thought she was pretty kick-ass still. She just had that allure to her, and Pulver did a fantastic job. I really hope we see a return of Irene in the future series.

Winner- I would say Pulver's Irene just because she is more fleshed out. Love Dormer though.


*SPOILERS* The Moriarties *SPOILERS*

The only reason why I have put Sherlock's Andrew Scott's picture and not Elementary's _____ picture is because we found out the former's identity in the third episode itself and we only find out the latter's in the end of the second-last episode of the first season. Also, they do build up the latter Moriarty's identity quite a bit, so let's just leave people guessing, even though I had correctly predicted who it would be. Plus, if you are on Tumblr, you see Scott's pictures everywhere.

In spite of all the anticipation to who Moriarty was and whatever the future seasons will bring, the Elementary one just doesn't measure up to Scott's pitch perfect reinterpretation of Sherlock Holmes's arch nemesis Moriarty. He is so deliciously evil, so full of gleeful malevolence, that a part of you cannot help but root for him. He does his crimes with a flair, and his personality shows that too. He is nothing like what I expected him to be, which is just one of the beauties of Sherlock.

Winner- Scott's Moriarty would win because of his ringtone alone. 
"Ah, ha, ha, ha, stayin alive, stayin alive"


The Others

Now, let's compare the other recurring characters in the two shows. Elementary only has one of these, Detective Marcus Bell, played by Jon Michael Hill. He, like Gregson, is a good police detective. We find out that he came from the shadier parts of the city but rose in rank. He usually isn't the biggest fan of Sherlock but he still respects him.

Unfortunately for Bell though, he does not hold up against any of the recurring Sherlock characters, much less all of them together. The omniscient Mycroft Holmes, played by the show's co-creator Mark Gatiss, is a delight every time he is onscreen. His hilariously strained relationship with his brother Sherlock and his endless supplies of girls who are always picking up poor Watson are just some of the reasons why Mycroft is awesome. Next, we have the lovely Molly Hooper, played by Louise Brealey, who was supposed to be a one-off character but the creators of the show, Gatiss and Moffat, could not get enough of her. We are ALL Molly Hoopers- perpetually amazed with and in love with Sherlock, but incapable of having him. Still, Molly has this endearing quality to her, and she isn't as silly as she seems since she too is capable of observing people, especially Sherlock. Finally, we have Sherlock's and John's landlady, Mrs. Hudson played by Una Stubbs, who is just the perfect mother-figure in their lives, fussing over them and caring for them. She is really cute.

Sherlock also has the super annoying Agent Donovan and Sherlock's verbal punching bag Anderson. Coming to one-off cast members, I really loved Russel Tovey's disturbed Henry Knight in "The Hounds of Baskerville" in Sherlock, and it was such a treat to see Vinnie Jones as Sebastian Moran in Elementary.

Winner- One of the best things about Sherlock is its vast array of supporting characters. 


The relationships

One of my biggest issues with Elementary is how dull it becomes when the lead pair isn't being shown. However, when they are there, the screen lights up. It was rather ingenious of the writers to make Watson a woman and make her Sherlock's equal. I love the fact that they are just good friends and there is nothing romantic between them (though that possibility is always there). There is a great deal of respect and understanding and the same amount of irritation, especially when it comes to Watson. On one hand, Watson helps to get Sherlock's life back on track, and on the other hand, Sherlock helps to find Watson's true motivation to live. They are proper partners and help each other every chance they get. Just the season finale goes to show how much Watson gets Sherlock, which is something he really treasures. My two favourite moments with them are:
1) When Sherlock tells Watson that the thing different about him, "empirically speaking", is her.
2) When they are illegally performing post-mortem on a corpse and Sherlock is complimenting Watson on her surgical skills, to which she retorts "We are not having a moment here."

And then there's Sherlock. Sherlock and Watson are polar opposites here, which is why they get along so well together. Yes, Sherlock drives Watson up the wall, and Sherlock is baffled by Watson not deducing things at the same speed as him, but what they are, are really great friends. Watson is Sherlock's only friend and Sherlock is Watson's best friend. Just watch "The Reichenbach Falls" to see what both of them mean to each other. Also unlike in Elementary, where Watson had to prove herself to Sherlock at first, I think Cumberbatch's Sherlock is immediately drawn to Freeman's Sherlock.
Apart from all of "The Reichenbach Falls", and everytime someone thinks they're in a relationship, one my favourite moment of theirs was when Watson gets irritated with Sherlock's um... looks and says "You being all mysterious with your... cheekbones, and turning your coat collar up so you look cool." Not helping all the rumours, John :P

Winners- Both. I love them.


The look etc.

Another of my favourite things about Sherlock is how cinematic it is. It's set in a grey and shadow-y London and that really helps build the mood and the tone for the show. One of its best-looking episodes "The Hounds of Baskervilles" saw Sherlock and Watson heading out to the English wilderness, and all the high cliffs and rolling plains are just gorgeous. This is contrasted in the same episode with the pristine white and very artificial-looking settings of the Dartmoor research base. Also, as I touched upon above, we actually get to see things from Sherlock's viewpoint, as words and calculations appear as just as he is deducing them. They create very cool visuals and give quite an edge to the show and the character.

Elementary in comparison is, as I wrote earlier, a very ordinary TV show. We see the crimes and we see the New York settings- all the townhouses and subways and streets. They are all perfectly adequate, but nothing really pops out as far as the look is concerned. Also, though this has more to do with the way the episodes are written or perhaps with the genre itself, but everything that is shown to us has a pay-off later on in the episode. It becomes slightly annoying because the show becomes very predictable.

I'd also like to briefly touch upon the fashion of the two shows. Benedict Cumberbatch's Sherlock's look has become quite a style influence, which is very cool. Like the show, people in Sherlock wear rather muted colours and sensible clothes, though with an air of sophistication, more or less. I mean duh, they're British. Of course, this is why Irene popped out so much. In Elementary, Sherlock is much more hip and Watson's fashion choices are often distracting, but not in a bad way. Well, not always. I mean, I would love to be able to walk in high-heeled boots all day. Good on Lucy Liu.

Winner- Sherlock is just better-looking.


So, *obviously*, the overall winner is Sherlock!! Elementary is a fun show, a good show, but Sherlock is, like the man himself, great. I would recommend both, but I will really, really insist on Sherlock. Trust me, your life will change. Cannot wait for series 3 starting Halloween this year!


Just because it's not all about the wits :P