Showing posts with label Natalie Portman. Show all posts
Showing posts with label Natalie Portman. Show all posts

Sunday, 5 May 2013

Thoughts

I don't know how but I have gotten into this terrible habit of posting my weekly thoughts every two weeks. I am late today as well and will probably be next week too as I am going to UAE for my summer hols. I promise to work on being better though.

1) First of all, Something Is Afoot.

2) Old, old news to get off my chest- Lee Pace will be the villain in Guardians of the Galaxy. Even though this means that all of his beauty will probably be burried under tons and tons of make-up, I am really happy that Pace is getting the big break he deserves. He is also in talks to star in the second season of Hannibal, along with fellow-Pushing Daisies stars Kristin Chenowyth and Anna Friel. Him, Mikkelsen and Dancy- yummy! (See what I did there?) Next, people are trying to remake The Crow, which I feel is an excellent idea because the story and the character are very interesting and the 1994 original is almost too cult to do them justice. Among the people whose names have been thrown around for playing the titular character are James McAvoy, Tom Hiddleston (who would have been perfect, imo), and now Alexander Skarsgard is in talks. Speaking of Hiddles, he will be starring in a Robert Capa biopic along with fellow Marvel-actor, Hayley Atwell. Me likey. His Marvel brother Chris Hemsworth is going to star in a new Michael Mann cyberthriller along with Viola Davis. I think this is a very interesting pairing and am excited to see what comes out of it.

3) Jessica Chastain is in talks to star in Christopher Nolan's next big space adventure movie, Interstellar. She will join Matthew McConaughey, Anne Hathaway and Nolan-regular, Michael Caine. Give me this movie NOW!

4) Daniel Radcliffe continues to make bold, cool choices with his post-Potter career. He is going to star in the adaptation of Tokyo Vice which is based on a true story about a reporter whose crime stories and a final scandal get him into trouble with a Yakuza boss. It is going to be directed by music director Anthony Madler, who is making his feature film debut with this. I really like how this sounds. Let's hope it's awesome and DanRad with it.

5) Paul Thomas Anderson is set to start shooting his next film Inherent Vice this month. It will star his The Master-collaborator, the great-faced Joaquin Phoenix (what a face, man!). I am still a bit sad that Robert Downey Jr. won't be in it instead. I think he and PTA would have made quite a pair. Still, cinephiles everywhere are rejoicing of course.

6) Michael Fassbender and Natalie Portman are going to "Bard" it up in Justin Kurzel's adaptation of Macbeth. I wasn't the biggest fan of the Scottish play when we studied it in school, but if anyone can make me change my mind, it is Fassy. I think he will be perfect. And Portman, who so cleverly joined this project after being denied the chance to work with Fassy in the now-annoying-with-its-casting-problems Jane Got A Gun, is a very intriguing choice to play Lady Macbeth, who was probably the only character I liked in the play. Kurzel, whose debut film Snowtown is apparently very violent, is again a most interesting choice as the director. I can see this working v. well.

7) Other casting news- Bradley Cooper is going to star in Steven Spielberg's next American Sniper, which is based on the autobiography of Navy SEAL Chris Kyle. I have become quite the Cooper fan since Silver Linings Playbook and am thus looking forward to this film. My husband, Logan Lerman, has joined Brad Pitt and Shia LaBeouf in David Ayer's World War 2 tank drama Fury. The film is about a five-man American tank squadron who go to Germany to fight off Nazi forces. Lerman, according to the site, will play, "Norman Ellison, an Army typist and the youngest and most inexperienced member of the crew who is thrust into being a tank gunner." Sounds pretty good to me.

8) Only one poster worth talking about really, and that is of Lars Von Trier's potentially v.v.v.v.v.v.v.v.v.v. controversial new film, Nymphomaniac. I think it is brilliant. People have been calling it a Tumblr fan poster, but that's exactly what I love about it. Fan posters often highlight the most important features of the respective film and just drown out all the noise and that is what this poster is doing. This two-part film is about the sexual journey of a woman, played by the underrated Charlotte Gainsbourg, and the poster is implying this in the most simplest of ways. Genius!

9) TrailersThe Bling Ring's official trailer is making me want this film even more than I do, which is A LOT. Also, I am so going to be talking like (well, trying to) Emma Watson for a week after I watch this. Thor: The Dark World looks cool, especially with Game of Thrones director Alan Taylor at its helm. I expect loads of fight scenes. My favourite part of the trailer is Loki, obviously. Violet and Daisy looks very interesting and lovely. Love the duo of Alexis Bledel (Rory Gilmore!) and Saoirse Ronan. Kristen Wiig's follow-up to BridesmaidsGirl Most Likely looks like a whole lot of fun. I think she and Annette Benning, who plays her mum, are a charismatic and awesome match, and Matt Dillon and even Darren Criss are great. Joss Whedon's Much Ado About Nothing looks so so so so good and I really hope it releases here. I am certain that I will love it. Finally, for trailer of the week, Pacific Rim looks unfuckingbelievably out-of-this-world fantastic! 2500 tons of awesome to be exact. I can't wait to watch this now.

10) Finally, my most anticipated film of all time has started filming-
Hottest director ever, anyone?

Also, I am guessing (and hoping and praying) that the picture below is for How to Catch a Monster and not Doctor Who-
It *is* a bit of a shock, but I think it is fine, all in all. Hair generally grows back. 

However, when this picture got released, this is what happened to Tumblr-
This is coincidentally what is going to happen to my ovaries once the Gos and Matt Smith start filming together. Can't wait.

Byee!!

Wednesday, 19 December 2012

My Top 10 Female Performances

       Continuing the third anniversary celebrations of this blog, I list for your pleasure, my favourite female performances. They are in random order, save the last one who is my number one.


Kate Winslet in Eternal Sunshine of the Spotless Mind

From all the films with corsets and period settings, a character like Clementine would be the last thing one would expect Winslet to tackle. However, when she did, she ended up giving her best performance to date. Winslet completely transforms into this impulsive, free, complicated, lovely woman.
Favourite scene- Her (second) first meeting with Joel in the train.



Marion Cotillard in La Vie en rose

I usually have a soft spot for biopics. I like it when famous actors become someone else. However in the case of Cotillard's Edith Piaf, it was quite the opposite because I had no idea who she was and was shocked to see how different (and utterly gorgeous) she was in real life. This just goes to show her total immersion into this character in all the stages of her adult life. 
Favourite scene- Singing on the stage of the music hall for the first time.


Isabelle Huppert in The Piano Teacher

One of the most powerful and silent performances that I have ever seen. This film's soul lies in the face of Huppert, which just tells everything without really changing. Because Erika Kahut is not a woman who speaks loudly of her desires.
Favourite scene- When Walter plays Schubert in his auditions and the camera focuses on her face and we just know that by the end of the piece, she is a woman in love.


Natalie Portman in Leon: The Professional

Possibly my favourite performance by a child actor. Portman's Mathilda is a troubled child and that's what leads her to form a very strong and unconventional bond with an assassin. She is like a grown-up trapped in a child's body- so worldly and bold.
Favourite scene- Mathilda impersonates many famous personalities for Leon.


Nicole Kidman in To Die For

It is a gargantuan task to get a role like Suzanne Stone and not make a complete caricature of it. Kidman makes someone as beautifully ugly as Stone real. She is hilarious and repulsive at the same time. It's awesome.
Favourite scene- Every time Suzanne talks to her "audience".



Cate Blanchett in I'm Not There

Unlike Cotillard, I was very much aware of who Cate Blanchett and Bob Dylan were, and it seemed ridiculous that a stunner like Blanchett could ever play a man. However once Jude Quinn makes his appearance, all such thoughts disappear, just how Blanchett disappears into this version of Dylan, arguably his most well-recognised. The mannerisms, the way she talks and sings- it is all freaking fantastic!
Favourite scene- Mr. Jones interviews Jude.



Emily Watson in Breaking the Waves

This wasn't even supposed to be her role, but once Watson comes onscreen as Beth, you can't even fathom anyone else in her place. You almost start to feel that this is her in real- no one can be a character like Beth just like that. The balance between the childlike innocence mixed with all the incredibly courageous things that her character does is plain remarkable.
Favourite scene- Her last conversation with God, in the movie.



Juliette Binoche in Three Colours: Blue

I can only imagine the pain Binoche's character goes through when she loses all her family at one go. She becomes completely empty and emotionless, or atleast she tries to. But life has other plans. To see Binoche tackling such a conflicting reality is a joy indeed. She is magnificent in this.
Favourite scene- Discovering a nest of new-born mice in her wardrobe.


Vivien Leigh in A Streetcar Named Desire

It is particularly tragic to think that someone like Leigh played Blanche DuBois, but then who else could have? Even Elia Kazan, in spite of all their differences, said that she had "the greatest determination to excel of any actress I've known. She'd have crawled over broken glass if she thought it would help her performance."
Favourite scene- "I have always depended upon the kindness of others."


And my favourite female performance is-
Michelle Pfeiffer in Batman Returns

I kind of have a tendency to idealise crazy, bold, weird, awesome women in films and I think it all started when I first saw Pfeiffer as Selina Kyle/Catwoman. After being shown as a loser in her office and by extension her whole life, Kyle's personality goes a drastic change after the first of her nine lives is taken by her boss. Then we see this outrageous, black leather-loving goddess of mayhem come out.
Pfeiffer's Catwoman is as sexy as she is forlorn. Out to take her revenge in the world of men, she falls for the greatest protector of them all. Even at her most deranged and dangerous, Pfeiffer manages to make Catwoman someone tragic and lost. I think of her more as an anti-hero than a villain because she is just trying to make right everything wrong done to her.
Favourite scene- The transformation of Selina Kyle into Catwoman. Break all the doll houses!

Sunday, 22 May 2011

New Reviews- POC4, Thor, Hanna

       So apparently the world was supposed to end yesterday...and I had this review in mind for a very appropriate film, i.e. Alfonso Cuarón's Children of Men. But it seems my laziness is way past apocalyptic urgency. Still seeing that Harold Camping has been very wrong, and "the real end of the world" is still 19 months away, I do have the opportunity to post my review! Soon that is...


         For now, I think it's makes sense to write about the new Pirates film, which follows At World's End (see what I did there?!) And also the other two recent releases I saw- Thor and Hanna. Here it goes:




1) Pirates of the Caribbean: On Stranger Tides- This film for me picked up where the Curse of the Black Pearl left off. I mean I love Johnny Depp and I love Captain Jack Sparrow but Dead Man's Chest and At World's End were a bit of a mess, especially the latter. It had gotten too confusing, I admit. So I was little skeptical about On Stranger Tides...but it delivers beautifully. In this one, we see Capt. Jack, Barbossa, and Gibbs are on the search for the treasured Fountain of Youth, along with Jack's ex-flame Angelica (Penelope Cruz), the dreaded pirate Blackbeard (Ian McShane), the British, the Spaniards, etc. 


         There's a lot of swashbuckling involved, along with mermaids and obviously Capt. Jack escape-specials. The story was much more simpler, focussed on a few things and the logic behind all that was clear. The witty dialogues were there, with good action scenes, and a great chemistry between Depp and Cruz (unlike that which he had with a certain Miss Jolie), all of which fueled the film. There was the "new" Will and Elizabeth in the form of a clergyman Phillip and a very Brooke Shield-y mermaid Syrena. They were okay, only mildly annoying but no where near the heights of super-painfulness that Orlando Bloom and Keira Knightley achieved. They were played by Sam Claflin (who will forever now be known as "Cheekbones") and Àstrid Bergès-Frisbey. Though I missed the grand Black Pearl and the gorgeous locations throughout most of the film, this Rob Marshall piece looked fine enough, with the scary-looking Queen Anne's Revenge and the darker atmosphere. My favourite things were the cameos- from the truly enchanting Gemma Ward as a vicious mermaid, to Capt. Jack's father and inspiration Capt. Teague played by the legendary Keith Richards, to the always grand Richard Griffiths and one very special royal dame whose completely unexpected appearance made me squeal with joy!


           All I can say was that this was a decent effort, and I am very glad for the focus being brought back to the man who started it all and is the very soul of the franchise- Mr. Johnny Depp. I mean every expression, every move, everything he says is brilliance! I will always love the hero that Capt. Jack is and his tenacity towards life. Though he is a rogue and often dishonest, he is often more right than anyone else ever. I have started to, mildly, feel bad about how predictable Mr. Depp's unpredictable career choices have become, but I guess if he continues to perform the way he does (save The Tourist!), I will still be very proud to be his number one fan. I mean I was watching Secret Window this very morning, and there's a jiffy towards the end when he makes this freaky mouth movement, and it makes soooo much sense in context with the film. These tiny details, that Capt. Jack is full of and Depp can perform perfectly, almost unconsciously, is what makes him...them great.


           Favourite Scene- The beautiful mermaids attacking Blackbeard's crew. Reminded me of the all-jazzed-up ladies from another Rob Marshall feature.


           Rating- 9 out of 10- for a relatively simple and exciting action adventure, one which caused the cinema hall where I was watching to repeatedly clap out loud (very enjoyable experience I must say). The place where it lacked was to show off the fabulous Penelope Cruz more, along with leaving certain loose ends. And Capt. Jack rules ofcourse.




2) Thor- It was fun. I had very less expectations for it, not understanding how in the world could Kenneth Branagh direct an action flick. The tale is about the Thor, the Norse God of Thunder, the son of Odin who is the ruler of Asgard...who in his childish and brawnish recklessness decides to provoke the Frost Giants, inhabitants of Jotunheim, who have been in a very volatile truce with Asgard. As a punishment Odin strips him of his powers and exiles him to Earth, where who should he find but Natalie Portman, or rather scientist Jane Foster and her skeptical team. At the same time, in Asgard, Odin has fallen sick and the throne is passed on to his younger son, the mischievous Loki. Along with Thor, his legendary weapon Mjolnir has also been sent to Earth, where only he who is can possess it and Thor's powers. And who should be after it but Agent Coulson from S.H.I.E.L.D. (something which I remembered only after the film had ended- sorry Ironman 2 didn't really leave an impact on me). That's about the premise of the story. 


          Chris Hemsworth plays the banished Norse God/Superhero. My god he is biiiiiiig. He was good, having the over-confident look about him that a spoilt and proud prince is expected to have. He handled the action scenes well, and it was believable when he threw his hammer around. Honestly the only person I really liked was Tom Hiddleston, who played Loki. Now everyone knows about my affinity towards villains, especially super-villains, and this was no different. I liked his character, the things he did and the reasons behind them. Hiddleston plays's him with the subtlety I always imagined a character like Loki to have. I was totally rooting for him.


         There are other people too- Odin is played by god of all gods- Sir Anthony Hopkins, Jane played by the absolutely stunning Portman ofcourse, her assistant Darcy was played by the always delightful Kat Dennings, her mentor Erik was the nice and supporting Stellan Skarsgard; Clark Gegg reprised his role as Agent Coulson. They were all fine, but I think completely unnecessary. Everyone was pretty much unnecessary. But the action sequences were good, and Asgard was very cool-looking. I thought that the coming of Thor on Earth could have been shown better, it all seemed too easy for a God being able to adapt amongst humans. And the action sequence with the Destroyer was terrible... it made no sense to me at all.


            Favourite scene- The first time Thor and his friends go to Jotunheim to fight the Frost Giants. Thor's superior fighting skills, done with utmost ease, along with the fighting styles of all his friends is shown properly here.


            Rating- 7 out of 10- for a proper beginning of the much-awaited superheroes season (no I don't count Green Hornett...or Green Lantern for that matter, but more on that later). The action sequences were cool, the super-villain was just perfect, and there was enough going on to keep the film from slowing down. On the downside, almost everyone was a prop, and the possibilities of Thor's exile were not exploited properly.



3) Hanna- Slick, cool, gorgeous. I've always admired Joe Wright's films visually, and this one does not disappoint. Ofcourse this is very different from his previous enterprises, but just as fruitful (I haven't seen The Soloist though). Hanna starts in the Arctic Circle, where we meet Erik and his daughter Hanna, who have been training all her life for a special cause. And that is to kill CIA agent Marissa Wiegler. When Hanna thinks she is ready, Erik goes into hiding and Hanna is brought to Marissa. But the devious Wiegler is suspicious about this innocent-looking young girl and sends in another woman, and she watches in horror and amazement as Hanna turns into this adept and ruthless killer who kills her double and escapes unscathed. Out in the real world for the first time, Hanna must find her father, the truth about her own self, the cause of her enmity with Wiegler and what it is to be normal.


         Hanna is played by the very alluring and devastatingly talented Saoirse Ronan, Erik by the cavalier and awesome Eric Bana and Wiegler by the sublime (Queen) Cate Blachett. Very much like Atonement, Ronan truly shines the most in this film. She has a German accent throughout, speaks many languages, is focussed and ruthless, yet full of wonder. Something like electricity amazes her more than I think anything can amaze me. I loved how childish she was, but still deadly enough to scare many grown-ups. She meets a travelling English family and befriends their daughter Sophie, who is about the same age as her. The contrast between them is both amusing and upsetting. Hanna's innocence- sexually and generally, reminds me of a Mean Girls quote, "I love her. She's like a Martian!" I bet Sophie thinks this...especially when both of her go on an outing with two boys. Jessica Bardem played her and she was very funny. 


         Bana and Blanchett were very good too. I do love it when she plays the baddie (one of the few saving graces of the slightly absurd Indiana Jones and Kingdom of the Crystal Skull), and Hanna did in many ways found her match in her. Except that's where the film also lacks for me because I do not understand why noone else cares about finding her. Her secret is a big one, and the fact that only Wiegler knew about it and the government particularly didn't do anything when a lethal, albeit tiny assassin kills people in their premises. I also thought the big reveal and climactic fight was too short, and well anti-climactic. As said earlier, the look of the film was fantastic, with the Arctic wilderness, the Moroccan and Spanish backdrop and the supercool CIA safehouse. The Chemical Brothers provided the music and it worked beautifully in the action sequences.


        Favourite scene- The escape from the Moroccan safehouse. The music, the lights, the action, Saoirse's eyes... pure cinematic magic. I was jumping up and down my seat, I do not kid you. 


        Rating- 9.5 out of 10- An almost perfect thriller. Stellar performance from Saoirse Ronan and the supporting cast was very good as well. Girl Power!!! The ending could have been better, and that was the only flaw. A superb effort by director and co-writer Joe Wright!




Random observation- I think if few elements of Hanna and Thor were interchanged- more of the real world in Thor and more of action in Hanna, they would've been considerably better.


        So I hope people watch these films... The Hangover 2 is out next week and I have seen the very desperately anticipated X Men: First Class. I do wish they are very good as well. What about you??
           

Tuesday, 25 January 2011

Final Adieu to 2010

So...I finally watched all the "Oscar-worthy" films of 2010. Well, as many as possible. No more 2010 films for now. Just general ones, of any year. This is a final compilation of all possible lists regarding 2010 films



  A. Best Films
So I had already made an incomplete list of top ten 2010 films here. Now I could make a top ten list again, but instead I'll include films and their ranks till whichever place the previous number 10 spot had been. It adds up to an even top 20. Ain't I just awesome?
The New List (those in the previous list don't have a description):


1) The Social Network


2) 127 Hours- Oh My Lord! Why did Danny Boyle not make this two years back and win the Oscar for this instead of the over-hyped Slumdog Millionaire?? This film was incredible! James Franco, in his one man show, between a rock and a very hard place, and the gorgeous editting and edge-of-the-seat feel- this film is certainly one of the best this year. It's rather unfortunate it fell out of everyone's award radar, but not mine. My brain totally fuzzled in a certain would-have-been-gross-of-not-superbly-yet-chillingly-filmed-gem-of-a-scene. You know what I'm talking about *wink*.


3) Harry Potter and the Deathly Hallows, Part 1


4) Inception


5) Black Swan- Yes, an upgrade (technically not). Not because I love the now number 6 less, but after a reviewing, I love and respect Black Swan more. For Millepeid baby!


6) Easy A


7) Toy Story 3


8) Never Let Me Go


9) The King's Speech- The very first public speech in the film, when Colin Firth as King George VI or Bertie struggles to take words out of his mouth, and the echoes...oh my heart melted. Mr. Firth is a very well-spoken Englishman, but when he transformed himself into this reluctant stammering king, an unparalleled performance of a lifetime along with cinematic magic took place. Beautiful film, and great supporting performances from both "geisha girl" Geoffrey Rush and "exquisite and no-nonsense queen" Helena Bonham Carter.


10) I Love You Phillip Morris- Why does noone care about this incredibly hilarious and heart-warming film? Probably the two most underrated and under-appreciated leading men in Hollywood- Jim Carrey and Ewan McGregor star in this sweet, fantastical romantic comedy that really happened. It really did.


11) I Am Love- Tilda the Goddes! She's incredible and this film, so beautifully shot mostly in sunny and snowy Italy, in quite lovely too. A simple and complicated story of a high-class Italian family and their little secrets and lives, I Am Love is the only foreign-language film I saw of last year and it mesmerised me completely.


12) Somewhere- Oh so beautiful...one of the biggest tragedies of my life is that I'm not a character in a Sofia Coppola film. I love the way everyone looks in her films, especially her women. And in this film, it was the stunning Elle Fanning. She plays the daughter of the eternally bored and widely loved actor Stephen Dorff, who's existence is confined within his weird-ass room in the very shady Chateau Marmont. Sounds boring? Believe you me, it's not, because thw way it is shot and feels and how unknowingly we feel for both the father and daughter is what the Sofia Coppola touch is all about.


13) Scott Pilgrim vs The World


14) The Town- I hate Ben Affleck. But still I could not deny the energy and the smoothness of this film. It was a great crime film, and the performance by Jeremy Renner and Jon Hamm make it very interesting to see.


15) The Ghost Writer 


16) True Grit- I'm not one for westerns, having had seen only 3 in my whole life. But this film was something else. Maybe it was because it was written and made by the Coen Brothers. Maybe because it starred the Dude. Maybe because it has a character called La Beouf played by the always brilliant Matt Damon. Maybe it was because it marks the beginning of the gorgeous and superb Haille Steinfeld. I don't know, but I sure did enjoy it.


17) Blue Valentine- Fact of life: Ryan Gosling with a balding scalp can make me earthquake as much as Ryan Gosling without a balding scalp can. Now that that's established, I have to say what a great actor, and what an intense performance. Also that the almost equally accomplished Michelle Williams was able to stand up to him. A bittersweet film if there ever was one.


18) The Fighter- Finally Christian Bale'sm mazing body transformations caught attention of critics, along with nutritionalists. It's unfortunate that he's receviving acclaim as the supporting actor, as he is clearly a co-lead. Mark Wahlberg too, has completed his transformation from Marky Mark to one of the most dedicated actors in Hollywood. Add to that actual and equally brilliant supporting roles from Melissa Leo and Amy Adams, The Fighter adds up to a highly enjoyable and touching sports film.




19) The Kids Are All Right- It stars two of my favourite middle-aged actresses who can always light-up the screen with their faces and performances. I love Annette "The Goddess" Bening and Julianne "The Darling" Moore! And such a sweet film. Mark Ruffalo was too cool. A very enjoyable dramedy, though a bit too loved by the crtics.


20) Kick Ass




B. My Favourite Performances of 2010:


1) Colin Firth as King George VI- the stuttering, the pain, the anger, the warmth. Also the build-up from last year's equally amazing A Single Man. Beautiful performance from Mr. Firth, who I like just the way he is- a king.


2) Natalie Portman as Nina Sayers- The way she controls herself and the way she loses the control- so shocking and poignant and scary. The effort that she put in, both to become a pro ballerina and give just the most incredible performance, is groundbreaking.


3) James Franco as Aron Ralston- To carry a whole film alone, confined in a small scary place, and blowing the audience's mind, that's just a bit of the work Mr. Franco did in 127 Hours. And we all know, what he did, we can never do.


4) Jesse Eisenberg as Mark Zuckerberg- From the assumed confidence to the apparent self-doubt, from the assholeness to the loneliness, every emotion on Eisenberg's face and voice showed clear as water. A very brilliant performance, but I sure hope it won't be his best as he obviously has a lot to offer.


5) Christian Bale as Dickey Ward- It's scary whenever he loses the weight, but this performance balanced it out. Amazing.


6) Andrew Garfield as Eduardo Saverin and Tommy D- Two beautiful and heart-wrenching performances. I'm so proud of him.


7) Emma Stone as Olive Penderghast- She delivered. Like noone else. The King's Speech had period drama, Black Swan had Aronofsky's twisted vision, The Social Network had Sorkin's witty script. Easy A had Emma Stone. 'Nuff said.


8) Jim Carrey as Steven Russel- He's such a funny man and this might be one of his best performances to date. He knows what is over the top, and he does it so well that it becomes believable. It's such an excellent quality...how does Hollywood not see it?? How???????????


9) Ryan Gosling as Dean Pereira- He's funny, musical, goofy, loving, forgiving and gorgeous. What an actor!


10) Annette Bening as Nic- She's strong and funny and sad, and the moment she breaks out in a Joni Mitchell medley we know what a performance this is. I love her.


11) Elle Fanning as Cleo Marco- She's so beautiful, and in her aloof childlike performance, she wins thousands of hearts.


12) Tilda Swinton as Emma Recchi- The classy and quintessential wife of a rich Italian household, with a dirty secret. The camera loves her, maybe because of her beauty or maybe because even when she does nothing, she's acting.


13) Jennifer Lawrence as Ree Dolly- The big discovery of this year. She's so natural, and my new favourite young actress.


14) Chloe Mortez as Hit Girl/Mindy Macready- Awesome. No other word. And well, kick ass!


15) Emma Watson as Hermione Granger- The prettiest girl in the world, and also one of the strongest. She held all Harry, Ron and the film together.


16) Jeremy Renner as James "Jem" Coughlin- Violent and volitile, his performance fuels the film.

17) Hailee Steinfeld as Mattiie Ross- Not supporting, definitely lead. What a future this young lady has has...gives me chills.Honourable mentions- Jennifer Lawrence as Ree Dolly and everyone in Scott Pilgrim vs The World.





C. My Favourite Scenes of 2010:


1) The Transformation in Black Swan- I forgot the most basic of all living things functions during this scene- how to breathe. And I'm not exaggerating.


2) Deathly Hallows Story in Harry Potter 7- what a pleasant and unforgettable surprise. Fueled by Emma Watson's beautiful voice.


3) The Condescending scene in The Social Network- BAM! Diss! Awesome!


4) The Video scene in 127 Hours- It was funny and tragic at the same time.


5) Pocket Full O' Sunshine in Easy A- I need that damn card!


6) The End of Toy Story 3- Not gonna ruin the surprise for those who haven't seen it, but I really love Woody and Andy.


7) The Betrayal in The Social Network- Eisenberg's face and Andrew's suit and anger.


8) The Beginning of Scott Pilgrim vs The World- Votte way to start a film. The credits don't roll by, they shock and startle.


9) The Hand in 127 Hours- Painfully brilliant.


10) Harry and Hermione Dance in Harry Potter 7- Poignant and beautiful, kills the romantic in me...in a good way.


11) Black Sheep in Scott Pilgrim vs The World- I guess the best singing part in the film, though there are loads to choose from.


12) The Joni Medley in The Kids Are All Right- So random and funny and sweet. I love Annette.


13) The Ice-Skating in Somewhere- Elle Fanning ice-skates to Gewn Stefani’s Cool in a beautiful light blue costume while Stephen Dorff and the audience watches on. With the Sofia Coppola effect ofcourse.


14) You Always Hurt the One You Love scene in Blue Valentine- This scene is magical. Ryan Gosling’s lovely voice accompanied by Michelle Williams’ adorable tap dancing, while they innocently sing out the story of the whole film.


15) The King’s Speech in The King’s Speech- One feels strangely proud watching it.


16) The Scream in Never Let Me Go- Heart-breaking as hell.






      All in all, 2010 was in my opinion one of the best years for films. Maybe it's because I've never cared like this, or because I was able to see so many of the films, but still this year gave me and everyone some really memorable films, performances and moments.
      Ten-twenty years from now, people will still be talking about what happened at the end of Inception and Black Swan, still wondering the truth behind The Social Network and The King's Speech, still being amazed by the true life tales of 127 Hours and I Love You Phillip Morris and of course, still loving Harry Potter 7.
      It was also a great year for breakthroughs- Andrew G, Emma Stone, Mila Kunis, Elle Fanning, Noomy Rapace, Jennifer Lawrence, Mia Wasikowska, Rooney Mara, Chloe Mortez, Hailee Steinfeld etc.

Tuesday, 28 December 2010

Who Loves the Sun?

Who loves the rain
Who cares that it makes flowers
Who cares that it makes showers
Since you broke my heart
-Who Loves the Sun, The Velvet Underground




      It rained today, and yes I am a sap who cares about rain. That is because I live in a bloody desert, where it never rains. Some of my favourite rain scenes...

Saturday, 25 December 2010

BLACK SWAN

      Now in order to review Darren Aronofsky's Black Swan, I must talk about four things- its trailer, its posters, its cast and the film itself.

1) The Trailer

      The official trailer of Black Swan is one of the best ever. I remember seeing it for the first time and being absolutely mesmerised. It does everything a trailer should do- look good, create interest, leave the viewer wanting more, leave the viewer wanting to watch the film and also become unforgettable. There are barely any trailers that I've seen, not only this year but ever that match up to the beauty and the mystery of Black Swan's trailer.

2) The Posters




        The first time I found out about this movie was through a poster in my Tumblr dashboard. The colours of white, red and black stood out immediately. This is very important because the whole film is about these colours. The virginal white Nina has to become the visceral black swan and this transformation is assisted by deadly red blood. It's quite fantastic.

3) The cast



      Natalie Portman delivers the performance of a lifetime in Black Swan. Her Nina is this beautiful, scared, ephemeral, pure woman who has to embrace her darker side. She is a top-class ballerina who, after a lifetime of dedicated perfectionism, gets the lead in her ballet company's new production of Swan Lake. However she is only ideal for the white swan side, and has trouble embracing the black swan side of her character. Add to that she is being constantly ridiculed and seduced by director Thomas Leroy (Vincent Cassel), is facing competition from free-spirited Lily (Mila Kunis), and her overprotective mother Erica (Barbara Hershey). All this soon starts to affect her mind and her grip on reality as the story of Swan Lake takes over her life. Portman portrays all aspects of Nina- her reservations, her desires, her fears, her insanity, her malevolence; such that her last line "I was perfect" becomes a fact. And a damn good one at that. Her hard work into getting into the shape and mindset of a professional ballerina reminds me of Adrien Brody in The Pianist, who lost a great amount of weight and learned to play Chopin and hence won the Oscar for his portrayal of Wladyslaw Szpilman.
        The next best role was that of Barbara Hershey as the mother/the Queen. She channeled Margaret White and a certain Mrs. Bates for this role. Even a bit of Michele Pfeiffer from White Oleander. She was creepy as hell. She tries to control Nina's life to the extreme and treats her as a little girl, her "sweet girl"  so much so that she even dresses her, and cuts her nails and regulates her going in and out. Her paintings are just as weird, and the fact that she cries while she paints them does help her creep factor quite a bit. She is a failed ballerina, and despite the fake frigid smile on her face while wishing good luck, she wants Nina to be one too. It's quite a brilliant and chilling performance.
       Vincent Cassel is a sexgod and his Thomas is one too. I love the way he seduces Nina to bring out the black swan in her. He is the only one who sees this side of her, and if it wasn't for his advances, the quite virtuous Nina would not have broken into the new characater, or side. Mila Kunis is very good too. She, like Portman, practiced for months before to become a ballerina onscreen. She embodies the black swan in her role, and the stark contrast to Nina is commendable. Their sexual "encounter" is very graphic, but quite necessary. Winona Ryder is also there as the ex-queen ballerina Beth, who gets replaced by Nina. I love Winona Ryder to bits and hope that this excellent albeit tiny role would get her into the game again.

4) The Film


       Oh what a film! Aronofsky has delivered a cinematic melodramatic gem that will be loved for many many years to come. The entire concept, of taking a overly-secured ballerina, with a prolonged childhood and mixing in it the elixir of Swan Lake...genius!! It is visually stunning masterpiece. Everything from the beauty of ballerinas and their outfits, to the effects that show Nina's degarding mind is excellent. The music of Tchaikovsky adds immensely to the drama and the splendour of the film. The themes of light and dark, of sexuality and parental control, of control and release, of love and lust, of life and death is what the film consists of. All the characters show this, but especially Nina. I personally thought the ending was brilliant, but it still confused me a bit. As did the whole film. I can't help it but a part of me thinks that all of it was Nina's imagination, or maybe that she was Beth herself. It raises many questions on psychology, most importantly on those peole who have been performers all their lives and how that affects them. The details are minute and expertly put. The choreography is just beautiful and touching and shocking.

      This film hits you over and over again, but in a good way. Aronofsky can show the degradation of human mind expertly, like how he did in Requiem for a Dream, but he has really polished his craft in this film.


      Oscar predictions- I think Natalie Portman has the the Best Actress Oscar in the bag. The film, Aronofsky, score, editting, costume and Hershey for Supporting Actress should get nominated.

Friday, 10 December 2010

Silence is the most powerful scream

Video- Classic Silent Types

WATCH THIS!!
NYTimes made 14 actors act out 14 silent movie types in segments of 1 minute each. The only silent movies I've ever seen are Charlie Chaplin's and Laurel and Hardy's. So I cannot say which film or which actor the actors in the video are portraying. Hence I decided to give each segment my own name, just based on the story being told.

1) Javier Bardem- Bittersweet Symphony
2) James Franco- Mirror Mirror on the Wall, who's the Dreamiest of them All?
3) Natalie Portman- The Drama Queen/Too Gorgeous for Her Own Good
4) Jesse Eisenberg- I'm CEO Bitch!
5) Chloe Mortez- Anger Management
6) Matt Damon- Read the Curse Words off My Lips
7) Michael Douglas- The Chair/ The Boss
8) Jennifer Lawrence- Thriller/ Rape in the Valley
9) Noomi Rapace- Total Effect (everything together makes the shot work- the singing, her earing, the cigarette, the perfectly polished nails, the dazzling microphone)
10) Vincent Cassel- Happy Feet/Fly Me to the Moon
11) Anthony Mackie- Run Forrest Run!
12) Robert Duvall- Gilette/ Shaving for Dummies
13) Lesley Manville- Telephone Conversation/ Wrong Number
14) Tilda Swinton- Angels with Dirty Faces/ A Prayer


My absolute favourites have to be Natalie Portman, Noomi Rapace, Vincent Cassel and Tilda Swinton. I was very happy that younger actors like Jesse Eisenberg, Chloe Mortez and Jennifer Lawrence got a chance too. Vincent Cassel is bloody sexy. And Tilda Swinton is an absolute Goddess, I love her to bits.