Showing posts with label Barfi. Show all posts
Showing posts with label Barfi. Show all posts

Saturday, 29 September 2012

Thoughts on Barfi!

         A cousin of mine tells this joke every time we talk about Bollywood- 
Q- What do you call a Bollywood movie that is completely original and has not been copied from any other film?
A- A flop.

          I know that it is a very cynical attitude towards an industry that is primarily responsible for my love for movies in general, and I do like to give it the benefit of the doubt that I barely watch Bollywood movies anymore and hence miss out on quite a few good ones. However, it is also hard to deny that the majority of the "big Bollywood blockbusters" nowadays are either copied from crowd-friendly Hollywood action or comedy movies, or as the latest trend goes, from bombastic, nonsensical and occasionally fun South-Indian movies. Now I am not judging either of these types of movies. They are both made for a specific audience and they deliver suitably. My bone to pick is solely with Bollywood, and this copycat attitude.

           To be fair, Bollywood has been copying, or as we like to call it, "being inspired by" other movies for a very long time, and with all sorts of results. But a recent discussion in my film studies has piqued my interest in this issue. The topic was about how as an industry, or even a country, we don't seem to have a distinctive identity when it comes to our movies, except that they are colourful and have musical numbers. Big whoop. It is kind of sad considering that we are the land of geniuses like Satyajit Ray and Raj Kapoor. Admittedly I am not that well-versed in their work, not at all in Ray's case (yes, I do hate myself), but the fact is that we are capable of such films and the current state of mainstream Bollywood is a bit tragic. 


           Now all this brings me to Anurag Basu's Barfi! First and foremost I have to say that I enjoyed it thoroughly and I do think that it is a very good movie. But its "inspirations" are so in-your-face. Anyone who is a film buff can easily pick out which films the various elements of Barfi! were taken from. Slapstick gods like Charlie Chaplin and Buster Keaton are obvious influences, the look and style is clearly reminiscent of Jean-Pierre Jeunet's Amélie, there are a couple of scenes lifted from Donald O' Connor's incredible "Make 'Em Laugh" from Singin' in the Rain, and there is also traces of The Double Life of Veronique and Benny and Joon. Due to all this, Basu has been getting a lot of heat on plagiarism allegations, especially since it was announced that Barfi! is India's entry to the Best Foreign Film category at the 85th Oscars.

         Here is my question- what is the difference between an homage and a copy? Because I would say that I was thrilled to a lesser degree than others around me who have not seen the many films that Barfi! borrowed from. Basu, when trying to defend his film, gave examples of film makers like Quentin Tarantino and Martin Scorsese who do emulate other films and film makers into their own final products. Tarantino was actually the very person I kept coming back to while discussing Barfi! with a friend right after we had seen it. My main argument was that maybe the reason why I love his movies so much is because I have never watched any of the films that he uses as inspiration. Except one- Bande à part, which is where things got even more complicated in my head, because it is a known fact that the dance in it was a major influence on the Mia-Vincent's Jack Rabbit Slims dance. But apart from both being incredibly awesome and a bit random, they are actually very different dances. So if this indeed is how Tarantino makes all of his films, then they can never be called copies of anything. But Barfi! did in fact imitate scenes, although in different contexts and I really don't know what to make of it.

          Also I have to give credit where credit is deserved, even if we are talking about something as controversial as possible plagiarism. The thing is that yes, Barfi! has "been inspired" by many other films and isn't a completely original work, but once again look at the people and films Basu chose! There is actually a split second where there is a cut-out of Chaplin on the screen in between this very Chaplin-esque chase between the protagonist, Barfii and silly policemen. Therefore instead of yet another film with terrible one-liners and actors with their shirts being ripped off on their own accord and god knows what, here we have a film that celebrates these wonderful movies and people and does a more than decent job of using elements from them in its narrative.



          Obviously Barfi! is much more than just this amalgam. The acting is superb. Ranbir Kapoor is pretty much the actor of his generation at present, and note how I say actor and not star, because the man knows how to act. He is splendid as the titular character, a happy-go-lucky, deaf and dumb, simple man who loves life and lives it to the fullest. Also the two actresses, Priyanka Chopra and Ileana D'Cruz, are both revelations. Chopra plays an autistic girl with a great deal of honesty and sincerity, something I really did not expect from her. D'Cruz, a newcomer in Bollywood, is just so beautiful and acts like a veteran in her field, so natural and understated. A perfect trio for such a film. Also I love that the film was set in Calcutta, aka my hometown, and Darjeeling, and that too in the 70s! There is such a dearth of period films in Bollywood. And I really adored the setting. Very few Bollywood films are set here anymore, and Barfi! looked gorgeous. The music is rather lovely too.

         I am happy that such a happy film has been chosen as India's entry to the Oscars (there have been some dreadful ones in the past) and also that people are liking it so much. Of course many argue about how it is "completely unique" and I reflexively roll my eyes... Also when they say/post that it has been nominated for an Oscar, my blood boils just a little bit. But keeping my crazy cinephile tendencies aside, I am actually pretty convinced that it will not be nominated, seeing how tough the competition is this year with films like Amour, and because of well, all the reasons/rambles I have stated above. 

        I would like to end this post by asking repeating my earlier question and posing a new one-

What is the difference between an homage and a copy?

And if you have seen Barfi!- what did you think of it and its Oscar chances?


       In case your answer to the latter question is 'no', I highly recommend it. 
       Thank you for reading :)


Friday, 13 July 2012

Thoughts

1) Yes so, as expected, I am incapable of coming up with something special for next month. For your information, next month, August 2012, is the month when my teens end FOREVER! Technically that is. I have decided to be a teenager till I'm 25. But still, for all legal reasons, this is the end people. And I wanted to celebrate/ mourn/ whatever about it on this blog. But my brains fail me, yet again. Dare I ask it... Er, help?

2) The Hunger Games news- Philip Seymour Hoffman will be starring as Plutarch Heavensbee in Catching Fire, so nicely done casting people. But then, they have decided to divide the last book, Mockingjay, into two movies. Ugh Hollywood, why? This is the latest in the line of desperate attempts by Hollywood to eke out every last penny from the viewers. I am sorry but when Harry Potter and Deathly Hallows was split into two films, it was for story purposes more than anything. But unfortunately, it has given birth to this ugly new trend. Gah.

3) Important links- Lesya from Eternity of Dream has two blogathons coming up: New York in Genres on August 2nd and Speechless Blogathon on August 16-18. Then there is Alex Withrow's short film Earrings, whose trailer is out and the full short can be seen on July 28th.

4) The whole blogosphere is abuzz with the the news of Michael Fassbender starring in and co-producing the Assassin's Creed movie adaptation. I am like the least video game-y person in the world, but even I know this game. I think he will be brilliant for such a role, and he can bring his Fassy spin onto it and make it a very memorable character. I am still waiting for him to become the next James Bond though.

5) Speaking of, Ben Whishaw will be playing a very very very young Q in Skyfall. I love the way he looks. Makes me think of a very meme-esque tagline, that is "Nerding- he's doing it correctly". I think in taglines by the way. All the people calling him Peter Park-y, stop.

6) Hey, is it me or is The Amazing Spider-Man as divisive as The Tree of Life last year? Maybe I think so because this time I am on the side of the haters. Still, I almost nearly forgive this film for bringing the perfection that is Emma Stone and Andrew Garfield together. Just look at this video! I want to marry both of them as a couple.

7) Trailers- The Comic Con teaser to Oz, the Great and Powerful just released. I think it looks awesome, albeit a little too reminiscent of Alice in Wonderland. Also I like James Franco, so I am fine with him, but I am most excited to see what Michelle Williams, Rachel Weisz and Mila Kunis bring to the Technicolor table. The other trailers are all Bollywood for a change- the first is of Anurag Basu's Barfi!, which has been inspired by Amélie. It does look and sound brilliant, save that fart joke at the end (why?) and I actually quite like Ranbir Kapoor as an actor. Oh see this excellent teaser of English Vinglish, which shows Sri Devi trying to read the film certificate in English, since the film revolves around her learning the language. I love clever trailers, and this is definitely one of them. The last trailer is of Shirin Farhad Ki Toh Nikal Pari, which starts at the 0:55 part, and everything before that is the super-long and showy Sanjay Leela Bhansali films logo. Okay it looks dumb, I agree. But this film has Boman Irani, who I adore, and is quite progressive in the sense that it isn't about forty year-old macho men falling in love with twenty year-old slutty girls in expensive foreign locations, which is the norm now.

8) Finally, I think my favourite meme of all time is the Leo Strut one. This is Leo Strut: The History Edition-

One does not simply walk into history...

Toodles.