Showing posts with label Ezra Miller. Show all posts
Showing posts with label Ezra Miller. Show all posts

Saturday, 23 February 2013

"Once there was a Hushpuppy." - MY FAVOURITE PERFORMANCES OF 2012

       This has been a year of some really good performances. Choosing a top 20 was pretty difficult. I hope you like them.

Honourable mentions: Tommy Lee Jones in Lincoln, Dane DeHaan in Chronicle, Ranbir Kapoor in Barfi!, Dwight Henry in Beasts of the Southern Wild, Rosemary DeWitt in Your Sister's Sister.


20.
Ben Whishaw in Cloud Atlas

For a film that had a lot of actors playing various characters, Ben Whishaw's portrayal of an optimistic, gay musician in the 1930s stands out the most. Whishaw can show vulnerability and cockiness in equal measure and delivers some of the most heartbreaking scenes of the movie.


19.
Christoph Waltz in Django Unchained

The biggest problem for Waltz, in my eyes, was that he was competing against his own portrayal of Col. Hans Landa, which is such a perfect performance that Dr. King Schultz was bound to be a tad disappointing. Still, the way the man delivers lines is an absolute pleasure to watch and he has technically become the most rewarded actor in Tarantino's repertoire so that's definitely something.


18.
Jean-Louis Trintigant in Amour

Amour is a film that is barely in my lists because I could not watch it with an objective perspective. However, Trintigant is so perfect and tragic and helpless and human in this film that he had to be mentioned.


17.
Rebel Wilson in Pitch Perfect

No one this year has made me laugh as much as Wilson's Fat Amy did. A brilliant comic turn. 
"I'm gonna finish him like a cheesecake!"


16.
Hugh Jackman in Les Misérables

After having watched him as the tough and hardened Wolverine all these years, nothing is more surprising than seeing Jackman tackle a role like Jean Valijean. The Oscars he hosted proved that he could sing, but to show this much emotion and heartbreak and guilt, all while singing, was marvelous to watch. His is my most favourite Oscar nomination of the year.



15.
Kareena Kapoor in Talaash

I do think that Kareena Kapoor is one of the very few high-profile Bollywood actresses today who can actually act and there are certain kinds of roles that she was made to shine in. She did it in Jab We Met and she does it again in Talaash. As the seductive and mysterious Rosy, Kapoor crackles on screen and entices us to fall for her charms.


14.
Robert De Niro in Silver Linings Playbook

De Niro's Pat is unlike all the characters I usually associate him with. He is a man who is trying to control everything around him- his book-keeping, his family, his life and though that isn't really possible, De Niro just brings so much heart and warmth and humour to the role. Save the dance, all my favourite scenes in the movie have De Niro shining in them- the heartfelt talk with his son played by Cooper, chasing the annoying neighbour kid down the street, his first meeting with Tiffany and of course, his words of wisdom at the end. Also, he is one of the most accurate onscreen depictions of a normal dad I have ever seen.


13.
Marion Cotillard in Rust and Bone

When I had read the plot of the film, I thought it will be one of those downright weepers and Cotillard will have to play a stereotypical, super melodramatic role of an amputee. Nothing could be further from the truth. There is a cold serenity about her but that just makes her entire arc that much more believable. She obviously suffers and feels, but the role is so much more than that. All my favourite moments of hers are when she does things that overcome her difficulties, like swim in an ocean or dance on her wheelchair or give strength to someone losing a fight or revisiting the whale who caused her injuries.




12.
Ezra Miller in The Perks of Being a Wallflower

Talk about making a role more than just its stereotype. Miller's Patrick is a gay teenager, yes, but he is also outrageous, funny, Dr. Frank-N-Furter, caring, broken, and just the greatest friend one can ask for. It is one of the loveliest and liveliest portrayals of a young person I have ever seen and Miller is just wonderful in this role.


11.
Jennifer Lawrence in Silver Linings Playbook

If one looks at Lawrence's Oscar-nominated performance in Winter's Bone and then the one in SLP, they can see how insanely talented an actress she is. Tiffany is loud, unpredictable, sexy, manic, sad, humorous- all at the same time. Lawrence has made her an unforgettable character and I am sincerely praying that she wins that Oscar.


10.
Logan Lerman in The Perks of Being a Wallflower

Keeping my feelings towards his looks aside, Lerman has been a total revelation in this film. Charlie in the book was nice but I had my issues with him. But Lerman's Charlie is a character I connected with very closely. I honestly feel that if I had been in an American high school, I would be almost exactly like him. I really got him, and the way Lerman portrays his joys and sorrows and the final secret just made me love him so much more.


9.
Bradley Cooper in Silver Linings Playbook

Never in my life did I think that I would be this in love with Bradley Cooper's acting skills. I have always thought of him as an attractive douchebag, and though Pat Jr.'s honesty can sometimes be inappropriate and mean, it is also incredibly endearing and frankly, lovable. My favourite thing about Cooper's definitely Oscar-worthy performance is his reactions to the other actors. For a film that thrives on chemistry, Cooper shines the most.


8.
Matthew McConaughey in Killer Joe/Magic Mike

You know what I just said about being surprised by Cooper's talents. Just amplify that a 1000 times and you get my total astonishment at McConaughey's acting skills that he has shown this year. On one hand I was mesmerised by his charisma as Dallas in Magic Mike and on the other hand, totally creeped out, but in a good way, by his ruthless Joe in Killer Joe. Bravest performer of the year.


7.
Anne Hathaway in The Dark Knight Rises/Les Misérables

What a year it has been for Hathaway. Her Selina Kyle paves a whole new path of her own, different from her predecessors. She is sexy and ruthless but not without a conscience. She brings levity in a very bleak film and is just a joy to watch in all her femme fatale-ness. Her Fantine is very much the opposite. The most tragic character of all in the film, her "I Dreamed A Dream" is one of the most bold and raw pieces of  acting that I have seen. Truly deserving of that Best Supporting Actress Oscar.


6.
Leonardo DiCaprio in Django Unchained

For all our "Poor Leo" sighs, it is still heartening to see that here is a man who keeps giving brilliant performances without ANY rewards in return. Calvin J. Candie is the kind role that I had been praying for Leo to tackle because he always plays such sad characters. Calvin is plain gleeful in all his malevolence. It's a joy to watch him be this horrible yet hilarious, "rambunctious" man. He has rewarded my curiosity with a total attention-grabbing behemoth of a role, and I am sure that one day his time, too, will come.



5.
Denzel Washington in Flight

My knowledge of Washington is abysmally lacking. He just is one of those actors who you grow up knowing are great at what they do. Flight proved this belief. His Whip is a broken, addicted man who throughout the film, has to come to terms with his problems, but he keeps brushing them aside and thus delves further into them. It is only at the end does he do something so extreme and heartbreaking that we know and he knows how truly lost he is. It is a role that requires a lot of denial and desperation in Washington's part and he does so beautifully.



4.
Joaquin Phoenix in The Master

I had to debate a lot between who to put higher- him or Washington. But Freddie Quell is a performance of a lifetime. I believe the term 'animal magnetism' has never been symbolised better. There is an beast-like quality to Quell, the way he walks and fights and talks. At the same time, we are drawn to him and whatever it is that conflicts him or compels him to behave the way he does. Phoenix is just magnificent here and oh man, what a great fucking face!


3.
Rachel Weisz in The Deep Blue Sea

Hester is lovely. Her confusion between choosing a stable, coma-inducing marriage and an unstable but passion-ravaged affair and what it does to her and what it makes her do is just a fascinating character study. As I read somewhere, she makes you fall in love with melancholy. And all this is because of Weisz's beautifully nuanced portrayal of Hester. She is gorgeous and conflicted and sad and silly and doomed, but she truly is lovely.


2.
Denis Lavant in Holy Motors

I don't get this movie, but it is just alluring to watch and the biggest reason for this is Lavant's chameleonic performance. The way he moves from one persona to another, always believable and awe-inducing. My favourite bits of his performance are however whenever he is the "real" Oscar, whoever that is, in the car, on his own or talking to his chauffer. There is this sense of weariness and disappointment there- of what and caused by what, I don't know. But it just makes me feel so much for him.


1.
Quvenzhané Wallis in Beasts of the Southern Wild

I don't know how much she acted or was taught or whatever. All I know is that at 5 years old, she auditioned for the role of Hushpuppy and the director Behn Zeitlin was so impressed by her, that he even changed the script to suit her personality. Her performance just blew me away. She is like a ball of pure energy in the film. Her narration is fantastic and so is her chemistry with her onscreen dad, Dwight Henry. From her outbursts to her poignant parts, she won me completely over. She made me cry, she made me marvel and boy, can she stare down a beast?! One of the strongest, most human and beautiful performances of the year and I am so glad that she has become the youngest Best Actress nominee ever. No one deserved it more.

Thursday, 14 February 2013

The "SONSOFBITCHES!" Snubathon


        Mette, aka teen Yoda, of Lime Reviews and Strawberry Confessions has come up with an excellent new blogathon, in which she asks us to go to the dark corners of our brains when we think of that all-important word, "Oscars" and write about the snub that angers us the most.

         The weird thing about this year's Oscar is that it isn't a snub, but rather a certain nomination that irritates me the most, that of Alan Arkin's. Now I did enjoy Arkin's performance in Argo and I think he is a very nice person, but I feel that there were much more deserving performances that were overlooked in favour of his. 

Five performances that should have been chosen instead of Alan Arkin's sonofabitch Argo producer dude's-

Leonardo DiCaprio in Django Unchained

People had been talking about his nomination ever since it was announced that he will play the villain in a Tarantino film. Yes, the expectations were very high, but Leo delivered far and beyond what I had thought. For the longest time, I have wanted him to play a fun role, since he always plays conflicted, mopey characters with dead wives and/or mental illness. Here is a man who is despicable, absolute scum of the earth, but look at him embrace it with so much "panache". He is hilarious and terrifying as Calvin J. Candie, a character for the ages. He even bled for it! What more does the Academy need?


Matthew McConaughey in Magic Mike

That opening scene. I mean, come on! I had never really considered McConaughey's acting chops before this year, thought of him as "that hot guy in those terrible romcoms" but my goodness, what a turnaround!  As Dallas he gives the ballsiest, pun not intended (well... maybe just a little bit), performance of the year, a title probably only contended by his own work in Killer Joe. There are not many actors who can dance in a thong and truly revel in it, like how McConaughey does. He's larger-than-life, super-duper sexy in this film and I love it and I bet everyone in the Academy also did, but you know how these things go...


Ezra Miller in The Perks of Being a Wallflower

I already wrote about Miller's performance in my Making a Case... post. The fact that Perks got no nominations this year was already sad, but I had been wishing that memories of his chilling portrayal of Kevin in last year's We Need to Talk About Kevin will give an impetus to his lovable, brilliant Patrick. Perks was a sort of dream movie for young actors to showcase their talents and a role like Patrick encapsulates both the highest highs and the lowest lows of a teenager's life, something that Miller more than captures in his beautiful performance. While I liked Logan Lerman's work a tad more (who had no chance whatsoever so let's not go there), I really thought that the Academy might embrace Patrick like the rest of us did.


Michael Fassbender in Prometheus

Prometheus, for all its grandeur, is a film that has unfortunately almost completely gone from my mind save for that terrifying birth scene and Michael Fassbender's David. Fassy, already largely considered as one of the best actors of his generation, here transforms himself into this weird machine-man with all kinds of mischief up his sleeve, revealing nothing yet making our hair stand on end. It is very nuanced, kind of freaky and totally cool and no one could have done it better than Fassy. However, sci-fi movies get as much "important" awards attention as films about teenagers and male strippers.


Dwight Henry in Beasts of the Southern Wild

While mini-supernova Quvenzhané Wallis blew me away the most in this film, her role would have been nothing without her chemistry with Henry. Henry who is a baker by profession, something that was just unbelievable to me, plays this loud, alcoholic, broken down, beast of a man like a veteran actor. Then again, perhaps a performance this raw couldn't have been done by people who have learned how to act and modulate and so on. One half of one of the most heartbreaking relationships of the year, I thought he did a tremendous job and with all the love showered towards Beasts, it was a little disappointing to see him not being a direct part of it.



      There you have it. Please join the blogathon and spread the hate around :)

Thursday, 13 December 2012

Making the Case for The Perks of Being a Wallflower

        
           So I know that I already made a post for Stevee Taylor's blogathon but the gracious Screen Actor's Guild awards and the AMAZING Amazing Spider-Man have already made it redundant. I am almost scared to write this post because clearly my favourites go nowhere, but once again, it has to be done.

       One of my most eagerly anticipated films of this year was The Perks of Being a Wallflower, and what a joy it is when the film meets all of your expectations head-on. I know Stevee wants singular aspects to be championed in this blogathon, but I have to focus on three things I absolutely loved in this movie, that I think are Golden Globe nomination-worthy at least.


Steven Chbosky wrote the famous coming-of-age book more than ten years ago and then he adapted and directed it himself. What more can one want? I love that the writer of the book wrote the film. He obviously knows the story more than even the most pious readers, and it was him who brought it to us. I read the book last month and I can safely say that the movie is better than it. I find it very hard to imagine epistolary novels into movies, and I am not particularly fond of them either. But The Perks of Being a Wallflower does away with that, while still keeping the essence of it.


Logan Lerman captures Charlie so beautifully in this movie. The outsider-ness, loneliness, friendliness, confusion, love that one would associate with Charlie is brought to life by him. He is both heartbreaking and incredibly relateable in this film. As my friend pointed out, it is a little hard to accept that someone who looks like Logan Lerman would be a loner, but he makes us believe that. One of the best roles that can be given to a young actor, and Lerman does full justice to it.


Now for this, I demand Oscar attention, like I did for Ezra Miller's equally brilliant performance in last year's We Need to Talk About Kevin. In that, he played the teenager none of us want to meet. In Perks, he might just be the teenage best friend of my dreams. As amazing as Miller is when he is being the outrageous and loud Patrick (that Dr. Frank-N-Furter routine!), he is just as incredible when he delves into the deeper and darker aspects of this glorious teen. I honestly think that he is one of the most exquisite young talents we have today, and Miller proves that yet again in Perks. I doubt I will see a better supporting performance this year.


        There you have it. Be infinite award voters! Give this truly excellent film what it deserves.